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Heather’s Top Ten Movies of 2022

/ Heather Strong Moore / Leave a comment

I’ve appreciated how many movie critics this year are pointing out that art is subjective when sharing their top tens. My list may or may not be all the “best” movies of the year, but they are all movies that I thought were well made, well written, and poignant. Something Hollywood studios ALWAYS struggle to understand is that there’s no replacement for a good script and story that’s sincere. Those are my main criteria, and all of these picks check those boxes.

10. Black Panther: Wakanda Forever

I’ve lost an older brother, which I think is part of what made Wakanda Forever so resonant. The fact that Ryan Coogler had to completely rewrite the movie, and Letitia Wright had to carry the film in a totally different way, and the rest of the cast had to step up in the midst of their own grief just made this an extra feat of storytelling. This was a powerful exploration of the ways different people process grief differently, the ways losses can compound, and the ways we are required to expand in order to fill gaps left by loved ones. The Marvel-required elements might have been a little clunky, but everything that was core to the story of Wakanda and Talokan worked beautifully. If this is your first time realizing that Wright can act, check out her terrific performance in Mangrove on Amazon Prime. Coming to Disney+ January 20th

9. Hidden Letters

Maybe it’s recency bias but when I watched this documentary a few days ago I was completely blown away. It’s an astounding story about female rebellion and undercover subversion. For centuries in China when women were continuously oppressed and silenced and prevented from receiving education, women created their own secret language called Nushu. They wrote letters, poems and songs to connect with one another in the only ways they could. This is a story about Chinese women and it’s also a universal story about oppression and creative resistance. I’m just saying that if we can learn to speak Elvish and Klingon, Nushu is overdue for its place in the sun. Currently available on demand.

8. Cha Cha Real Smooth

In an age where toxic masculinity is proliferating online at alarming rates, I appreciate any content that can normalize young men living with empathy and being emotionally present with the people around them. And Cooper Raiff is a young filmmaker who is charting an encouraging way forward for men in cinema. This is a warm-hearted coming of age story about the time of life when you’ve graduated from college but you still have no idea what you’re doing. It’s about confusion, aimlessness, trying to figure out what you’re good at, getting too attached, working out shifting family dynamics, and getting a real job. With a great supporting performance from Dakota Johnson, you should definitely slide to the…Apple+ app and give it a watch.

7. Descendant

As much as we’ve been in a golden age of documentaries, I’ve still seen some snoozers this year. Which makes Descendant a real stand-out. I had heard some initial news stories about the search for the Clotilda, the last vessel to carry enslaved people to America, but even with a little bit of background knowledge my jaw was on the floor for most of this doc. The story is absolutely bonkers in its hubris and deceit, and still all too relevant. This is a must watch for all Americans as we seek to understand ourselves through our history. Available on Netflix.

6. Turning Red

I am normally such a curmudgeon about animated films of any kind (I am after all not a child) but Turning Red was charming and hilarious. I too was a tween obsessed with boy bands (mine was Hanson) who was overwhelmed and confused by adolescence. Red empathetically understands the experience of girls, the process of both differentiating from and identifying with our mothers, the importance of female friendships, and the stranglehold pop music can have on youth culture. Just give Nobody Like U one listen and it will be never not be on your mind. Available on Disney+

5. Prey

I’ve never seen a Predator movie, but after a quick summary of the Predator’s specs from Ivan, I was ready to jump in. And this movie absolutely slaps. It was such a creative framework for the traditional elements of the franchise applied in a fresh way to a totally different environment and protagonist. The Predator only attacks that which it sees as a threat, which makes a young Native girl a deadly opponent to underestimate. This movie had terrific action sequences as well as a great storyline and character development, a rare combination.  If you’re on the hunt for a well-constructed action movie that’s thought-provoking and exhilarating, set your sites on Prey. Available on Hulu

4. She Said

In lesser hands this journalist true crime retelling could have centered abuse and an abuser. But in the capable hands of director Maria Schrader,  She Said centers the lives and determination of the survivors and those who fought to tell their stories. It is a remarkable achievement to leave a film about one of Hollywood’s most predatory abusers and have an overwhelming feeling of power and hope. They pull no punches about the reality of the systemic victimization, and yet the strength and courage of countless women is the heart of this story. I walked out of the theater feeling like women can do anything, and I hope you’ll give yourself the chance to experience this inspiring story. Currently available on demand.

3. Everything, Everywhere, All At Once

Listen, I’m always skeptical of hype-beast movies that everyone says changed their lives and did something cinema has never done before and you’ve never seen anything like it, blah blah blah. So I was skeptical of Everything to say the least. But the creativity, insight and emotion could not be denied. Beyond the obvious artistry required for building a multiverse, what really made this movie stand apart was the timely exploration of the pull towards nihilism so pervasive in young people today. With unprecedented amounts of information and experiences available at all times comes a sense of overwhelming meaninglessness and despondency. And Everything considers what it can look like for older generations to join and journey with our youth in their search for meaning and significance, and in so doing to answer those questions for ourselves as well. Plus it’s a heart wrenchingly accurate depiction of parent/child relationships and humanity’s cosmic search for love and affirmation from family. This movie will not be for everyone, the absurdist sexual content may be a dealbreaker for some. But if you can hang in there, Everything is a wild ride through existentialism and the search for meaning. Currently available on demand.

2. Marcel the Shell with Shoes On

As mentioned previously, animated films activate my inner curmudgeon. But Marcel took my heart by storm. Somehow this movie is both melancholic and hopeful, bringing to life what it means to experience profound loss while still remaining emotionally present to the world around you. Filled with delicate observations, wistful exploration and sly humor, Marcel had me laughing and crying. After multiple years as a society of experiencing collective loss and disappointment, Marcel invites us to keep our hearts open and to never stop pursuing meaningful connection. Currently available on demand.

1. Aftersun

For the first 30 minutes I wasn’t sure where this movie was going, it’s a subtle and slow burn. But by the time the credits rolled I was in tears. This is fundamentally a story about growing up with an unstable parent and in adulthood looking back and piecing together your memories and retrospective meaning-making. With terrific lead performances and a structure that relives the story through the eyes of an 11 year old, this was the most singular and poignant film of the year for me. It has stuck with me and I continue to think about it months later. A powerful debut from first time filmmaker Charlotte Wells, it was also produced by Barry Jenkins and makes an interesting companion piece to his Moonlight. Currently available on demand.

Honorable mentions: These all made a strong impression on me and are worth your time!

Breaking – Unfortunately this movie didn’t get any attention beyond its premiere at Sundance, but it features a compelling true story and a mesmerizing performance from John Boyega. It draws crucial attention to the struggles of military veterans and the damaging disarray endemic to the VA. Highly recommend. Currently available on demand.

The Swimmers – The only reason this didn’t make my top ten is that it felt overlong at times and would have benefited from a tighter run time. But this true story of young female Syrian refugees who were also professional swimmers was compelling and important. It very much immerses you in the experience of a refugee in this time period and is an engaging and important watch. Available on Netflix.

Nope – Jordan Peele always comes through with something creative and thought-provoking. Maybe a little too obtuse but overall I’m always excited about writers/directors taking big swings and creating brand new material. Currently streaming on Peacock.

Bodies, Bodies, Bodies – A Gen Z horror/suspense movie that doesn’t feel mocking but is able to be fun, unpredictable and sincere. Currently available on demand.

Glass Onion – I liked this one significantly better than Knives Out. Taut, witty, insightful. A fantastic screenplay backed up by an unstoppable ensemble cast. Available on Netflix.

Tar – Objectively one of the best movies of the year with top two best performances of the year. I didn’t personally resonate with it as much as others which is why it’s not higher for me, but it’s a great film. Currently available on demand.

Weird: The Weird Al Yankovic Story – I am the target audience for this movie. A parody biopic about biopics about Weird Al, it is hilariously meta and self-aware. There were scenes in the first act that made me laugh out loud, and Daniel Radcliffe fully commits from start to finish. The third act is messy and goes off the rails, but overall turning the story of a notoriously kind and well-behaved polka satirist into a stereotypical rock and roll biopic deserves a watch. Available for free on Roku.

RRR – This movie is absolutely bonkers and implausible in all the best ways. A 3 hour epic about the fictional meeting and friendship between two real life Indian revolutionaries is historical fan fiction at its best. Be ready to suspend your disbelief and enjoy the ride. Available on Netflix.

Ivan’s Top Ten Movies of 2022

/ Ivan Strong Moore / Leave a comment

Why do we try to make these lists? There are so many options and so many different kinds of movies for different seasons and moods. You may want the quiet contemplation of a Marcel the Shell with Shoes On or After Yang. It might be the right night to come of age with Turning Red. Right now Netflix can offer you several choices that could help you expand your tastes like the new Tollywood classic RRR, the incredible true story of The Swimmers, or the gripping American documentary Descendant. Over on Prime Video, you could be inspired by Thirteen Lives or challenged by Emergency. Even Apple+ has something to offer like festival favorite Cha Cha Real Smooth. 

The options are endless. So in a year filled with a lot of fun movies, let those serve as some honorable mentions and what follows to be my top ten favorite films of 2022 and where to find them!

10. Bodies Bodies Bodies

There were a lot of really fun and interesting horror movies this year. While entries like the newest Scream and Barbarian threatened to make my list, I just couldn’t escape the truly hilarious Bodies Bodies Bodies. “B” cubed follows a group of young adults stranded in a mansion during a hurricane and, when members of the party start dying off, an IRL version of the spooky group game begins. Already, Bodies is being celebrated as a Gen Z classic. Like any young generation, Z has received a lot of flack whether it is fair or not and I’m sure we’re only getting started with exaggerated depictions of it’s population. So did Halina Reijn totally nail this current generation? I don’t know, but she did craft a fun, interesting slasher that was absolutely giving thrills. No cap. 

Bodies Bodies Bodies is rated R for violence, bloody images, drug use, sexual references and pervasive language and is currently available on demand. 

9. She Said

The violence had been there. The survivors had been there. What was different this time, then? How did the stories that ignited the #MeToo movement finally break through? Belief and hard work. Jodi Kantor, one of the reporters depicted in the film, said on the tour for the book that the film is based, that she wanted to show that “facts really can have social impact when they are carefully gathered.” That careful gathering is the story of She Said and is more proof that there must be space for women to tell their own stories. Maria Schrader and Rebecca Lenkiewicz’s adaptation of Kantor and Twohey’s book is heartbreaking, real, and suspenseful. Carey Mulligan and Zoe Kazan are great as Twohey and Kantor, but the film also boasts emotional, show-stopping performances from Ashley Judd playing herself and Jennifer Ehle and Samantha Morton as key sources to the story. We all know by now that the story needed to be told, but it is good, with this film, to also know what was needed to that it could be. 

She Said is rated R for language and descriptions of sexual assault and is currently available on demand.

8. Chip N’ Dale: Rescue Rangers

Disney has been headed in some concerning directions in the last decade. The studio that used to be one of the centers of creativity in the world have been moving towards captalizing on existing properties and squeezing every last drop of good will out of long-time fans. I can’t imagine, then, that anyone was really excited for a live-action version of their long-dormant gumshoes Chip N’ Dale: Rescue Rangers. Cut to Andy Samberg as Dale sitting at a convention booth across from Ugly Sonic the Hedgehog and we are in business. Chip N’ Dale just might be the funniest movie of the year. It was just the right amounts of absurd and meta and, more than Doctor Strange, also had me convinced Disney is ready to bring Reed Richards to the big screen for real. I’m happy to eat crow on this one, but not whale…I promise. I’d never do that.

Chip N’ Dale: Rescue Rangers is rated PG for mild action and rude/suggestive humor and is currently streaming on Disney+.

7. Prey

The Predator was dead. He was finally defeated, not by a mud-covered Arnold Schwarzenegger in the jungle or Danny Glover in the midst of a dystopian 1997 Los Angeles but, by a very strange box office and critical flop. While I didn’t think Shane Black’s The Predator was as bad as many, it was obvious the world needed a break from the galaxy’s greatest hunter. Or so we thought! Enter director Dan Trachtenberg and his unique vision of bringing the Predator back in time to a barely settled America to tussle with the Comanche Nation. There was a sincerity and quality to Prey that has surprised experts who had, just a few years earlier, called for the Predator to be retired. Trachtenberg breathed life into this franchise just as he had with Cloverfield and created the next great action heroine in Amber Midthunder’s Naru. Now we wait to see where and when the Predator might pop up next. The hunt is definitely back on!

Prey is rated R for strong bloody violence and is currently streaming on Hulu. 

6. Everything Everywhere All at Once

The promise of a glimpse of a multiverse has kept a very troubled The Flash movie on the release schedule and propelled the Doctor Strange sequel to $1 billion dollar gross. Little did these studios and audiences know that the best depiction of alternate universes was going to come from the writing/directing team known as The Daniels, indie film juggernaut A24, and a once-in-a-career role for the legend Michelle Yeoh. The only thing that kept this potential Best Picture winner lower on my list are times when I felt the film was working against itself, but when it is at its best, EEAAO has some of the best storytelling of the year. Of course, after so many things in our world have felt like they’ve gone wrong or gotten worse in the last few years, we’d like to imagine a world where at least one or two things could be different. The Daniels delivered that concept in such a touching, weird, and thoughtful way while giving their cast a chance to shine like never before. It was everything. 

Everything Everywhere All at Once is rated R for some violence, sexual material, and language and is currently available on demand.

5. Nope

When the trailers dropped for Jordan Peele’s newest sci-fi horror film, Nope, it featured lots of scary teases of aliens and abductions. There was a promise that we would see and be terrifed of extraterrestrials. That is what I was expecting, Peele’s take on aliens. By far the scariest moments in Nope, however, have absolutely nothing to do with the horses and aliens we saw in the trailers. The Get Out and Us director has delivered again. He expertly unsettles and entertains while exposing elements of our society worth exploring. In Nope, that is our obsession with spectacle and the exploitation that often follows such a pre-occupation. If you’d like more of an explainer, all I would say is…nope. This is something you should experience and unpack for yourself!

Nope is rated R for language throughout and some violence/bloody images and is currently streaming on Peacock.

4. Tár

Tár has a not so secret weapon. This movie is an over two and half hour, slow burn character piece exploring power dynamics in the business of classical music conducting. Sounds thrilling, right? Well it is if you have Cate Blanchett in your pocket! In Tár, Blanchett turns in perhaps the single best acting performance of the year, a performance so good many believed her fincitional maestra Lydia Tár to be a real person. She’s not, but Blanchett is very much the real deal. She crafts a character you are immediately entranced by, you get why the music world bows to her baton, and then bit by bit you get why those in her sphere would despise her. The power Tár exercises in the early acts of the film becomes more and more of an illusion as the story marches on. Power is a topic that manages to be both timely and timeless, and Blanchett’s performance does the same.

Tár is rated R for some language and brief nudity and is currently available on demand.

3. Glass Onion: A Knives Out Mystery

Who doesn’t love a “Whodunnit”? In a world filled with true crime and living room slueths, one filmmaker has breathed incredible new life into the genre. Dubbed by some disgruntled Star Wars fans as “Ruin” Johnson, the only thing writer/director Rian Johnson has managed to ruin is my enjoyment of most other mysteries of the last few years. Try as he may, Kenneth Branagh’s Poirot could never compete with Chris Evans in a cable knit. Glass Onion, is, of course, the sequel to Johnson’s surprise hit Knives Out and continues the legacy of Daniel Craig’s southern detective Benoit Blanc. This time around Johnson takes on the trendy world of marketplace disruptors and influencers. Glass Onion is clever, suspenseful, and filled with well-placed cameos that are deployed in a way that adds to the film rather than distracts. Johnson has created quite the playground for Blanc to peel back the layers of this mystery and, much like it’s bloomin’ counterparts, had me wanting to go back for more and more. 

Glass Onion is rated PG-13 for strong language, some violence, sexual material and drug content and is currently streaming on Netflix.

2. The Batman

Before this year, I would have said we really do not need another Batman. DC Studios have saturated the market with Gothams, Titans, bat people, birds of prey, and Jokers. However, many people may have said the same thing about the Planet of the Apes films. Now I am convinced that Matt Reeves’s full-time job should be following Tim Burton through franchises and fixing them. Yes, we’ve had a lot of Batmen and this movie is probably too long, but Reeves’s grungy, young detective bats, Zodiac killer Riddler, and hammy Penguin had me hooked for the entire bat-ride. I really hope as DC restructures under James Gunn, the studio continues to let Reeves do whatever he wants in this new Bat-iverse. His take on Condiment King could change the hierarchy of power in the DC cinematic universe. 

The Batman is rated PG-13 for strong violent and disturbing content, drug content, strong language, and some suggestive material and is currently streaming on HBO Max.

1. Aftersun

There were so many massive movies this year. From big ensemble casts to bloated runtimes to climbing budgets, we even spent time this year reflecting on the massive talent of the larger-than-life, Nicholas Cage. Several entries this year left me saying, “Wow, that movie was a lot.” This is probably why my favorite movie of the year is one of the smallest. Charlotte Wells’s debut feature is a focused film that digs deep into her relationship with her father and includes two of my favorite performances of the year from young scene-stealer Frankie Corio and up-and-coming Irish shy boy Paul Mescal. Wells invites the audience into a vulnerable moment in her life that we all go through when our guardians, seemingly overnight, transition from myth into reality and our personal identity begins to form. Wells’s authenticity and openness pay off as Aftersun packs more of a wallop than many others did with three hours and $100 million.

Aftersun is rated R for some language and brief sexual material and is currently available on demand.

REVIEW: The Mitchells vs. The Machines

/ Ivan Strong Moore / Leave a comment

The Millennial and Gen Z generations do not trust you. That is what basically every poll conducted in the last five years has indicated. Forbes reports that the one of the most recent Deloitte Millennial Surveys indicated an over 20% drop in the trust these generations have in businesses and corporations. A recent Harvard Institute of Politics poll showed that the majority of the people in these generations are fearful about the future of our country. Barna found in 2019 that 82% of young adults say society is in a leadership crisis. Our next generations have lost trust with nearly every institution and system we have to offer and, yes, that includes the institution of family and, more specifically, our parents. Looking at these numbers it’s hard not to feel the weight of this trust gap between younger and older generations. That is what made Netflix’s The Mitchells vs. The Machines such a welcome comfort.

Mitchells is largely about what family looks like in our modern context, but central to this story is the strained relationship between Rick Mitchell, a well-meaning but old fashioned and stubborn father, and his daughter Katie who challenges nearly every expectation Rick has had for his children. It is difficult to really define when the rift between Rick and Katie begins or why it’s happening. There isn’t a big traumatic family experience that splits them or, as many of us have experienced, some kind of deeply rooted ideological difference that is causing division. They are simply operating with the values systems and expectations of their respective generations. They just don’t get each other. Somewhere they stopped operating on the same, Rihanna-fueled wavelength and they stopped trusting each other.

The Mitchells vs. The Machines GIF Family

Now, Katie is headed off to the college for the first time, but before she goes the tension between her and her dad bubbles all the way to the surface and pops. For this tight-knit, loving family, this feels like the apocalypse. Lucky for them, an actual apocalypse steps in and takes the Mitchells on an adventure that just might bridge the generational gap. While taking Katie to film school, the inevitable artificial intelligence uprising happens and the newest gadgets from a pseudo-Apple tech company starts capturing every human being on the planet to eradicate the human race. What a great time to bond as a family!

The Mitchells vs. The Machines comes to us from the producing team of Phil Lord and Chris Miller who have been changing the game in animation since their surprising hit The Lego Movie and their Academy Award winning Spider-Man: Into the Spider-Verse. Both of those high-profile releases carried quite a bit of public skepticism going into them. Many thought The Lego Movie was going to be nothing more than an extended commercial for the brand. Sony’s film studio had been fumbling their big Marvel Comics property for years with a string of failed franchise-starting Spider-Man projects and were muddying the waters with an animated movie when it seemed like they were finally on track with a successful new Spidey in Tom Holland. Lord and Miller crushed those fears, though, and gave us two of the most compelling and heartfelt animated movies in recent memory. Mitchells is no different.

The Mitchells vs. The Machines GIF Katie

In terms of family entertainment, the big streamers haven’t exactly been churning out high-quality fare. They know parents will look for any brightly colored animated distraction to keep their child’s attention for any period of time. The Mitchells vs. The Machines is far from a mere distraction, though. It truly has something to say and shows that streamers can develop creative and thrilling animation on whatever budget is available. With Mitchells, there is the 3D animation we expect these days, but it’s used with thrilling expertise providing some really stunning sequences like a mall being torn apart by an army of Furbies. In, perhaps, an extension of the lessons learned on Spider-Verse, they combine that 3D animation with Katie’s 2D doodles over the entire story. It deepens her character and gives the movie a unique and fun visual style.

On top of the animation, Mitchells is just plain funny. Most of the jokes do hit especially since they are delivered by the likes of Maya Rudolph, Danny McBride, Olivia Coleman, Beck Bennett, Fred Armisen, and Eric Andre. In between the laughs, though, Mitchells really does do some thoughtful meaning making about that growing generational gap. Neither Katie nor Rick is let off the hook for not trusting the other. The film shows that they both have things to offer, and both have a lot to learn from the other. In that Barna study, one of the top reasons for our young adults seeing a leadership crisis in society is that the older generation aren’t actually allowing them to lead, and there are a lot of areas where our younger generations are ready to lead right now. At the same time, they need experience coupled with the guidance, support, resources, and consistency of our older generations.

It is true that our younger generations don’t trust their elders, but trust is a two-way street. The generational gap continues to grow when we fail to trust in our younger generations as well. Their total lack of loyalty in the systems and institutions we often cling to can feel apocalyptic. Like they just want to burn it all down, but what if we did trust that they are seeing something older generations haven’t. What if even a little bit of trust was extended? Wouldn’t younger generations be more likely to produce at least a little bit of trust in return. We may want to try it before the actual end of the world comes.

The Mitchells vs. The Machines is streaming now on Netflix.

The Mitchells vs. The Machines GIF Furby

Looking for new shows to watch this summer?

/ Heather Strong Moore / Leave a comment

For many of us summer means a change of pace, and a chance to relax and try new things. Our regular shows have wrapped for the season, or we’ve blown through our favorite re-watches for the 8th time, and we need something new to watch on those rainy days or when the temperatures get too hot for outdoor activities. Here are some TV shows currently available on streaming services that you might not have heard of but could find interesting. Nearly all of them are breaking new ground in representation and storytelling, so they are great additions to your current go-to’s. There’s something for everyone on this list!

Rutherford Falls – Peacock

This is a delightful and incisive comedy from Ed Helms and Michael Schur (The Office, Parks and Rec) about a historic town in NY state navigating its colonial and Native history. Not only is this a witty comedy, but it features the largest Native writers room in comedy history, and a Native showrunner and creator, Sierra Teller Ornelas. It’s funny, warm, and thought-provoking!

Content rating: PG for occasional mild sexual innuendo

High On the Hog: How African American Cuisine Transformed America – Netflix

Part cooking show, part African American historical legacy, this show is unique and powerful. Only 4 episodes, chef and food writer Stephen Satterfield explores the culinary roots of Black cooking from Africa to Texas. Part of what makes this show so special is the space it creates for Black people to talk to each other about legacy and identity and belonging. Each episode is full of historical excavation, pride, tenderness and mutuality. I’ve never seen anything quite like it, don’t miss it.

Home Before Dark – Apple+

Do you ever wish all these crime dramas could be mixed with precocious little girl energy? I didn’t know that’s what I needed until I started watching this show. Inspired by a real 9 year-old investigative journalist named Hilde Lysiak, the show creates a wonderful young lead similar to Hilde but with a fictional town and cold case that she has to solve. It’s a wholesome family drama about processing trauma and grief with a local mystery intertwined.

Content rating: G, the first episode contains verbal descriptions of the trans-Atlantic slave trade that will be painful for some

Content rating: PG there is no violence or descriptions of abuse, but the subject matter of a child abduction may be intense for young viewers

Hacks – HBO Max

If you don’t already love Jean Smart, you will after watching this show. Hacks is a thought-provoking comedy about what it means to be a female comedienne and what previous generations had to navigate to pave the way. This first season is still finding its way with working out a few of the characters, but it’s worth a watch!

Content rating: PG-13 for some sexual conversations, no nudity or sex depicted

The Underground Railroad – Amazon Prime

Director Barry Jenkins’ labor of love, this show is based on the novel of the same name. The novel explores the idea of what it would have been like if the underground railroad was a literal railroad underground. It is beautifully filmed and acted, with an intense but powerful portrayal of Black dignity in the face of oppression (a particular strength of Jenkins’ filmmaking). You will likely need to pace yourself and some may want to refrain from watching all together, but if you can handle the intensity of the subject matter, you’ll find a rich and compelling narrative.

Content rating: R for explicit racial violence

Girls5eva – Peacock

This one goes out to all the elder millennials who came up on girl groups and boy bands! Girls5eva is a hilarious and warm comedy about a washed-up girl group from the 2000s who are trying to reconnect with each other and make a comeback. The cast is fantastic, featuring Sarah Bareilles, Renee Elise Goldsberry (Hamilton), Busy Philipps, and other Broadway stars Paula Pell and Ashley Park. These women are so funny and the writing is smart and a snarky revisiting of pop culture in that era.

Content rating: PG for mild sexual innuendo

Shadow and Bone – Netflix

Sometimes you want an elaborate fantasy show but aren’t sure if it’s worth getting to know the lore and characters if the writing will just end up being bad. Shadow and Boneis a fun escape that’s worth the investment. The world is well-crafted, the characters are endearing, the special effects are good, the cast is talented and diverse, the season is well-paced, and we know we’re getting a season 2!

Content rating: PG-13 for some implied sexuality and mild violence. Likely appropriate for teenagers but check the parent’s guide first.

WandaVision – Disney+

A lot of people have been talking about this year’s spate of Marvel TV shows, and for good reason. But a lot of you have told me that you stopped watching WandaVision after the first couple episodes, so this is my apologetic for why you should revisit it. The format of the first several episodes is that of the classic TV sitcom, starting with the style of I Love Lucy and ending with the style of Modern Family. Some found this format confusing and boring, but what you need to know is that WandaVision is fundamentally a show about grief. It is about the desire to disassociate from a painful reality and immerse oneself in a fun and entertaining distraction. About the longing to return to one’s happiest moments shared with your loved one and try to stay there rather than move forward. The style of the first 7 episodes is very purposefully painting a picture of what Wanda is experiencing internally after the trauma of losing Vision, and how she is making sense of it. Don’t expect huge character reveals, there will be no appearances from Dr. Strange or Mephisto, this is a contained and powerful exploration of the grieving process. It features incredible performances from Olson, Bettany, and Hahn, and one of my new favorite quotes: “What is grief if not love persevering?” Give it another watch!

Heather’s Top Ten Movies of 2020

/ Heather Strong Moore / Leave a comment

Maybe I shouldn’t admit this publicly, but we watched over 220 movies this year. Most of them were older ones I’d never seen because it was a weird year for new releases. A lot of titles got pushed back to 2021, some have been on streaming for months but were just small features without much hype, some are available on VOD but cost $19.99 to rent which feels hefty. So nearly all of my top ten picks are smaller movies that you may or may not have heard of yet, because that’s what came out in 2020.

It was an also a phenomenal year for documentaries! I have a theory that the rise of reality television transformed documentary filmmaking. When I was a kid, docs were seen as pretentious snooze-fests about the migratory patterns of bees and whatnot. Things that most people could not access or find interesting. But the art form has developed by leaps and bounds, encompassing so many more topics and having far more intricate structures. No longer are they something you have to drag yourself through just so you can say you are informed, now they are engrossing and emotional and complex. So my list is heavier on documentaries than usual, but give them a chance. They might be some of the most moving content you’ll see this year.

10. Miss Juneteenth – I heard a lot about this movie during the summer when our country was talking about the holiday of Juneteenth, but we weren’t able to see it until December. This story is a much-needed makeover of the pageant genre. It follows some traditional tropes of a mother and daughter story where the mom won the pageant in the past and is pressuring her daughter to participate and win like she did. But the themes of Miss Juneteenth are far deeper and more nuanced. It is also a story about Black ownership and what it looks like to carve out something for yourself against the odds. It’s about the struggles and pressures that Black women face in trying to hold themselves and the people around them together. And it’s about generational failures and hopes and how we create and keep a legacy alive. The making of the film reflects these very themes with writer/director Channing Godfrey Peoples who was given opportunities by Ava DuVernay. DuVernay (Selma, When They See Us) created a wonderful show called Queen Sugar and used that platform to give other women entrances into the film/TV industry. Many new and talented creators received a leg-up from directing and writing with DuVernay and what she carved out for herself and others. Miss Juneteenth is the product of what can happen when Women of Color are given the opportunities and support they deserve. Available to rent on demand.

9. Feels Good Man – Everything about this documentary was a mystery to me before watching. In the early 2000s cartoonist/artist Matt Furie created a chill character named Pepe the Frog. Pepe lived a normal existence on MySpace for a while, then became a huge meme on the blogging site 4Chan. Still pretty harmless. Then Pepe morphed into a major symbol for the Alt-right and Trumpism and was registered as an official hate symbol by the Anti-Defamation League. How did that happen?? The doc unpacks this progression with terrific detail and insight, exploring online culture and how and why it intersected with Trumpism. It also follows Matt and the impact it had on him personally and professionally, and how Pepe finally reclaimed his froggy identity. Even if you aren’t very interested in politics, this is a fascinating look at how things take on a life of their own online and how the internet shapes our lived reality. Available to rent for a small fee on demand.

8. All In: The Fight for Democracy – Like many of us, I was obsessed with the election this year. There were a couple of particularly good documentaries that unpacked big themes and factors of our political moment. This doc follows Stacy Abrams’ activism in the fall-out of the voter suppression that took place surrounding the gubernatorial race in Georgia in 2018. It also provides a succinct and helpful overview of the general history of voter suppression in America, specifically of Black and Brown voters. Available on Prime.

7. Mangrove – I really liked The Trial of the Chicago 7 (Netflix) this year and for a while it was on my top ten list. Then I saw Mangrove. Part of Steve McQueen’s film anthology on Prime, Small Axe, each tells a story about the context of his childhood which was West Indian-British communities in London in the 1970s-1980s. A very unique and personal project, they’re all free-standing stories, the only thing that connects them is the general context. Mangrove follows a true-life courtroom drama surrounding Black-British protestors who are being unjustly prosecuted over their protest. This story eloquently unpacks what it feels like to know the system is against you and to feel helpless rage in the face of it. Letitia Wright turns in an incredibly good lead performance that I believe should garner her a Best Actress nomination and shows her range outside of Marvel. (Pro tip: Turn on the English subtitles as you watch. The actors are speaking English but with thick accents and use of slang that may be hard to follow for some viewers.)

6. Ma Rainey’s Black Bottom – I was nervous to watch this because Viola Davis’s makeup is so extreme and the pressure of it being Chadwick Boseman’s final performance made me wonder if it could live up to all our high hopes. I need not have worried. Deftly steered by Tony award-winning Broadway director George C. Wolfe the film feels like a play but still comes alive in an authentic way on screen. Based on the play by August Wilson (author of Fences), the story follows real-life Blues singer Ma Rainey as she records a few hits, including “Black Bottom.” The setting is a Chicago recording studio where Ma and her all-Black band try to work with each other and navigate the relationship between them and the all-White management. It is a powerful exploration of the power dynamics involved in creating Black art, and the impact it has on Black artists when those power dynamics are heavily unequal. With both Davis and Boseman turning in wonderful performances, I hope this will get significant awards attention. Available to stream on Netflix.

5. Dick Johnson is Dead – No movie has affected me so emotionally this year as this documentary. On the surface it’s a quirky doc made by a daughter whose father is dying and the family is trying to get used to the idea of him being gone by filming dramatic and humorous staged deaths. But more broadly it’s about memory and loss and how to say goodbye. It is also just the most heartbreakingly beautiful portrait of a loving and emotionally present father who would do anything for the daughter he loves. If you have lost someone close to you then be warned that this could be extremely emotional to watch. But emotions aren’t always bad. Available on Netflix.

4. Driveways – We almost missed this one, a very indie and small but beautiful film about a mother and her socially anxious 9-year-old son who come to clean out her older sister’s home after she dies. The sister had lived next door to an elderly man living alone after his wife died, played with a kind authenticity by Brian Dennehy in his final performance before his death this year. The synopsis sounds heavy and perhaps boring, but the film has a wonderfully gentle and sweet quality that winsomely draws you in. And the 9-year-old, played heartrendingly by newcomer Lucas Jaye will have you rooting for him every step of the way. Available on demand for a small rental fee.

3. Minari – Maybe it’s because we now live 20 minutes from the border of Arkansas, but this film about a Korean immigrant family living in rural Arkansas in the 1980s was resonant. A quiet and empathic look at family dynamics and the costs of chasing a dream. Ivan wrote more about the film and the themes of manhood and fatherhood. Unfortunately, it’s not slated for wide release until February (we saw it at the Indie Memphis Film Festival at the drive-in) so keep an eye out for it in early 2021.

2. The Assistant – This is one that unfortunately got lost for most people during the summer. Streaming on Hulu and led by the wonderful Julia Garner, this is a subtle story of being a young woman trying to work in an exploitative environment. There are plenty of stories about women being harassed in the workplace, but this was the first I’ve seen about the female bystanders who are co-opted into the oppression by their presence in the organization, and who must wrestle with their role in changing or engaging in the system. Not all abuse is direct, some happens by leveraging and pressuring you to maintain “how things are.” Garner perfectly captures confusion, powerlessness, anger, and tense observation. This is a thorough exploration of the ripple effects of harassment and exploitation without needing to depict the abuse itself.

1.The Sound of Metal – Available on Prime, this is a story of a musician who suddenly loses his hearing. Featuring an Oscar-worthy performance by Riz Ahmed, this movie immerses you in what this experience would be like. The sound design is incredibly creative without being dominant and weaves between the world of sound and hearing loss. This story also does a wonderful job of elevating and honoring the deaf community. It depicts the struggle and identity crisis that would accompany such an abrupt loss but does so in a way that highlights the dignity and autonomy of those who are deaf. It is emotional, powerful, compassionate, and informed.

Honorable Mention Documentaries

Athlete A – An incredibly important and well-told doc about USA Gymnastics and the abuses of Larry Nassar. This is essential viewing for anyone who has or works with kids. It is survivor-focused and uncovers his abuse without retraumatizing the viewers. You will be horrified by the system that protected him but inspired by the many women who stood against him to tell the truth together. Available on Netflix.

John Lewis: Good Trouble – We lost some greats this year, and John Lewis tops that list. He was a remarkable man who started out as a teenager but took every opportunity in front of him to advocate for justice and act in the hope that things could be better than they were. He became a giant through consistent acts of faith and bravery and was constantly motivated by his belief in God and the support of the community of faith. This will inspire you with everything that he accomplished and challenge you to see where you can follow his example. Now available on HBOMax.

The Painter and the Thief – A crazy and powerful story about the transforming power of compassion and love and choosing to see someone at their best even when they are at their worst. It has a very poignant and raw exploration of addiction that’s ultimately hopeful but emotional so be aware. See Ivan’s list for more info, available to stream on Hulu.

Boy’s State – At times scary and at times inspiring, this doc follows teenage boys in Texas as they create their own form of government. Ivan wrote about this here, and I also recommend it. Available on Apple+

REVIEW: Hillbilly Elegy

/ Ivan Strong Moore / Leave a comment

Something happened during the 2016 election. As a country, we watched as droves of voters in rural, white, working class counties that often shone blue turned a deep red. How could this happen? Looking for a quick and satisfactory answer, many folks gravitated towards a singular work, J.D. Vance’s memoir, “Hillbilly Elegy.” Though the book does touch on the sociopolitical trends of white rural poor in America, it may not have been totally fair to pin the decoding of this turning of the political tide on Vance’s words. At the end of the day, “Hillbilly Elegy” is one man’s story. Eventually, people aware of the book realized it didn’t actually solve the riddles we were puzzled by in American society. The comfort found in the book post 2016 election quickly soured into anger that evils like white supremacy haven’t gone away.

It wasn’t Vance’s goal to completely confront America’s history of racism or deconstruct current patterns in the 24 hour news cycle. “Hillbilly Elegy” doesn’t actually wrestle with many of the broader issues present in America in 2016, 1776, or 2020. Vance planted a foot in his past and his context and tried to tell the world what he was seeing from his point of view. There are deeply destructive trends in white rural communities all over America and Vance was able to shed light on them by tapping into his personal experience. Still, the book carries the weight of that particular moment in history and it’s public perception suffers for it. So when Netflix dropped the trailer for the film adaptation directed by Ron Howard and starring Amy Adams and Glen Close, many feared that the story would continue to give people incomplete answers for centuries old questions. The problem with the film Hillbilly Elegy, isn’t the societal pressure placed on the source material, it’s that it’s not a good movie.

There have been some truly incredible films lately that have taken audiences, and awards voters, into the lives of America’s most marginalized and poverty stricken. The Florida Project is a great example because it takes the context of Disneyland and contrasts it with the many people struggling to survive outside the Magical Kingdom’s gates. Even a film like Moonlight has a lot in common with Elegy in terms of subject matter and non-linear storytelling. These movies were focused, subtle, and pulled you directly into the lives of their subjects. There is nothing subtle or focused about Elegy. There is an old moviemaking adage of “show don’t tell.” It dictates that filmmakers should rely on visual communication to get their story across instead of a device like voiceover or flashback. Hillbilly Elegy seems to subscribe to that philosophy, and then some. The film shows, tells, shows some more, shows a few more, and then tells you again.

The film enters Vance’s story through one specific moment during college paired with several key moments from his childhood. Most of it centers around how Vance’s people, his family and community, help each other out when life is throwing punches. The J.D. in the film then must wrestle with the tension of trying to help himself as well as trying not to help his mother to the point of enabling her addictions and behaviors. We catch up with adult J.D. after his military service in the Marines, after his undergraduate studies at Ohio State, and some time into his career at Yale Law School. He’s in the midst of interviewing for a very important internship when he gets a call from home. Life had thrown another punch. We then see flashbacks of traumatic events revolving around his mother’s destructive and abusive tendencies.

Throughout the drama J.D. also interacts with the greatest source of support in his life, his grandmother. Real life J.D. credits his grandmother for a lot of his success. It’s because of Mamaw that J.D. is able to pull his bootstraps all the way up and march towards Yale. Of course, this is shown in a Rocky-style montage of taking out the trash and studying really hard. See, says the film, anybody can just work hard and make it. Even Vance admits that that’s not the foundation of his story. He made it because he had someone to help him. Not everyone has that, but again, this movie is not interested in subtlety or complexity.

When I mentioned those punches that J.D. takes throughout the movie, that is another example of the film’s lack of much needed subtlety. Nearly every moment in the film is played as a haymaker making sure that idea that J.D. has a hard life is beaten into our minds. Yes, sometimes when life is very difficult it does feel like hits keep coming one after another, but life is often way more nuanced than that. There is a brief moment in flashback that shows J.D. making breakfast with his girlfriend. He asks for syrup in his accent and she gets on his case for the mispronunciation. It’s a moment of humanness and levity that gives us a break from the punches. Elegy needed more of that.

In The Florida Project, between scenes depicting drug abuse and hunger, the young protagonist, Moonee plays and escapes into her imagination. In Moonlight, Chiron finds himself in moments of love, joy, and happiness around the dinner table of a neighbor. If we don’t have these moments to humanize everyone in the story, then the characters come off as one-note and unlikeable. Elegy gives you almost no reason to like J.D.’s mother or even to like the place he grew up. It relegates some of the more complicated, but important, components like breaking cycles of generational poverty and abuse to footnotes as it yells through the screen that J.D. and his family are poor and hopeless.

There are moments where the movie hints that it could have been something greater. Stressed about finding a rehab facility for his mother, J.D. engages with some friends who all have a suggestion. They know the area facilities like they’re local restaurants. Each of them have had friends, family, or neighbors that have dealt with drug and alcohol abuse. I was expecting someone to stop and say, “Wow, I guess we’ve all had someone close to us enter rehab.” Thankfully, they didn’t. We were given a clear, but subtle picture of their lives. Finding a rehab facility is normal. There are people in these regions of America crying out to be seen, crying out for help. Help like J.D. found in his grandmother. She saw him and decided she would step in and give him a chance at a better life. In 2016, when Vance’s book was making its initial rounds, there was a moment where our eyes were on Appalachia, but I fear with this adaptation people may just want to look away.

Real life J.D. Vance

REVIEW: The Two Popes

/ Ivan Strong Moore / Leave a comment

Comedian John Mulaney hosted Saturday Night Live earlier this year and joked about the idea of his Jewish wife converting to Catholicism, “How would I even have that conversation? What, do you come home with a brochure, and you’re like, ‘Hey, honey, allow me to tell you about an exciting not-new organization. Don’t Google us!’”

And so the joke has gone for many years now, especially since the early 2000’s due to the string of articles from The Boston Globe’s investigative journalism team. The Catholic church has a marred reputation that has been rooted in scandal and the unimaginable trauma of thousands of victims. Even more recently, a 2018 investigation conducted across the dioceses in Pennsylvania revealed 1,000 victims involving 300 priests in that state alone. There are big questions about the health and future of this global organization. Netflix and Oscar nominated director Fernando Meirelles are asking those questions in their new film, The Two Popes.

The Two Popes Anthony Hopkins

In the film, Meirelles and The Theory of Everything writer Anthony McCarten imagine several conversations between Pope Benedict XVI and, then, Cardinal Jorge Bergoglio who would go on to be Pope Francis. The conversations in the movie, that are shot with an almost documentary style, are based on some meetings that did take place between the two figureheads, but they are also based on a huge cultural turning point within the church.

The Vatican needed more than a change in leadership, though that did happen when Benedict renounced his position and Francis was elected. They needed more than a return to charity and service, though Francis has made it a focus. They also needed more than addressing issues like climate change and sexuality, though Francis has shown incredible compassion in those arenas. What the Catholic church needed was something far more powerful, repentance. The church needed to clean house at the top and clean house in their hearts. Confession is, ultimately, what Two Popes is about.

Two Popes Jonathan Pryce GIF

Whether they are protestant or catholic, church leaders are supposed to reflect Christ to those they serve. The Apostle Paul calls them “ambassadors” for Christ. The goal is that as someone meets you and experiences your love and service they are, in a way, meeting Jesus. How can you be anything but grieved, then, by the idea that, for thousands, Christ was an abuser? That grief is painted all over Jonathan Pryce’s face as he portrays Cardinal Bergoglio. The whole film is a delicate, nuanced dance between the two popes and Pryce’s dance partner is the legendary Sir Anthony Hopkins as Pope Benedict.

The two popes take jabs at each other’s stances on doctrine, tradition, and the direction of the church. Their conversations disturb the birds in the gardens of the Pope’s summer estate and echo against the painted walls of the Sistine Chapel. Hopkins’ Benedict snorts and scowls with guarded fear that Bergoglio desires to see the whole institution torn down. The Cardinal pleads and cries with desperate urgency that the culture Benedict has created is driving people out of the pews. They both are wrestling with being a part of something that has caused so much harm and become the butt of the world’s joke.

The Two Popes Jonathan Pryce

When the film shows you the global scale of the Catholic church or takes you into the mysterious election process, when you see the thousands of people gathered to stare at a chimney, it is easy to feel the authority the Pope has. Both Benedict and Bergoglio brought great authority into these conversations. They had served for decades. Benedict very much had his mind set on the past while Bergoglio had his feet planted and eyes focused on the future.

Jesus has the greatest authority in the universe. Being Christ-like takes authority, but they get absolutely nowhere by swinging their experience and knowledge back and forth. Being Christ-like also takes profound vulnerability. Jesus could heal the leper and make the blind man see but at the end of the day he hung on the cross exposed to the world. To end the stalemate in the film, that’s exactly where the two popes have to go, to the cross. The third act of the film is one of vulnerability and confession.

While watching the film, I found myself laughing at the joke. That’s all we can do with our pain sometimes, right? Laugh at it. Take away its power by making it a joke, and the pomp and the arrogance of this ancient tradition played right into the comedy. By the end, though, as these two men are baring their souls to one another, my eyes were on the cross and the reconciliation I’ve seen in my own life. I’m not sure if the world will ever forgive the Catholic church for their grave injustices, but I do know one way to find forgiveness is to ask for it.

REVIEW: See You Yesterday

/ Ivan Strong Moore / Leave a comment

What is it about time travel that brings storytellers back to the concept again and again? There have been countless movies, TV shows, comics, books, and songs inspired by it (Cher’s “If I Could Turn Back Time” anyone?). Perhaps the biggest movie ever made, Avengers: Endgame, revolves around going backwards through time. Yet, so much of what we know about time travel stems from one source, Marty McFly, Doc Brown, and their flying DeLorean. Paul Rudd’s Ant Man lays out the rules of time travel in Endgame warning that his Avengers teammates need to be careful they don’t talk to their past selves or bet on sporting events, all references to 1985’s Back to the Future.

That singular movie has shaped so much of what popular culture thinks about time travel and has inspired other contributions to the culture as well. Rick & Morty, a cartoon loosely inspired by Doc and Marty, has gathered an enthusiastic, albeit occasionally problematic, fan base. This year Nike debuted its third major attempt at recreating the sequel’s famous self-lacing sneakers. The Nike BB Adapt will even be seen in a Back to the Future II colorway this year! Don’t forget our recent obsession with “hoverboards” and geocache scooters that have us all feeling McFly on the sidewalks. What about time travel itself, though? Why are we so drawn to the ideas explored in Robert Zemeckis’s landmark film?

See You Yesterday Title GIF

In the Netflix movie, See You Yesterday, a delightful cameo states, “If time travel were possible, it would be the greatest ethical and philosophical conundrum of the modern age.” This character, whom I’ll keep a surprise, goes on to ask, “If you had that kind of power, what would you do? What would you change?” There lies the magic of this classic sci-fi scenario. Time travel offers audiences the opportunity to dream about what could be, and the continued allure of Back to the Future may be in just how simple the film makes it look to change everything. Marty pinpoints all of his family’s troubles down to one moment from his parents’ past and it causes a butterfly effect that improves life for every McFly. It’s that easy. Marty wakes up at the end of the film and his parents are more in love than ever, his siblings are more professionally successful, Marty gets the girl and the cool car he could never afford, and, in general his family is more affluent. What if it was more complex than that? What if the issues holding you back reached farther and deeper than one specific moment?

See You Yesterday GIF

See You Yesterday follows teenage prodigies CJ and Sebastian, students at a New York science-focused high school. They are so brilliant that years before Tony Stark could, they’ve figured out time travel! In their first successful test, CJ inadvertently causes a ripple that leads to tragedy. In the wake of her mistake, someone attempts to comfort CJ by saying that we all wish we had the power to go back and change things. CJ and Sebastian have that power and are launched into a race against time to fix everything! It doesn’t take very long before CJ realizes she isn’t in Back to the Future, and that changing the world isn’t as simple as Doc and Marty have led us to believe.

Here is where See You Yesterday shines. Writer/director Stefon Bristol uses time travel to explore the systems in our world that simply cannot be undone in one move. There are times when the film is incredibly frustrating. CJ is trying to accomplish something no one has ever done before. There’s no rule book and the pressure to fix things is an incredible burden. Again and again and again it becomes clear that her past mistakes, the culture she lives in, the prejudices around her, and so much more are working against her. Every step forward feels like forty steps backs. One can infer, this is precisely the point.

See You Yesterday CJ and Sebastian

For many people in America, even with the advent of time travel technology, they can only dream of something resembling Marty McFly’s life at the beginning of Back to the Future. They own their own home? They have working vehicles to begin with? They only have one relative that’s incarcerated? Life can be a lot worse, and for large portions of our population, it is. Where would you even begin to fix it? Would helping Bill Clinton draft a better crime bill help? Perhaps pre-empting cocaine flow into America in 1980’s would alleviate some problems? Would stopping the assassinations of the 1960’s fix it? Would going further back and stopping discriminatory housing practices post abolition do anything? Maybe we’d have to go back further and try to stop the Transatlantic Slave Trade? Or perhaps even further and give some pause to colonizers like Columbus? Or even further and stop Cain from striking Abel?

The reality is that CJ going back in time to fix her worst day won’t change things like it did for Marty McFly. The deeper this young, powerful black woman digs into the obstacles in her way the more they multiply. Her power, though, isn’t solely in her unique intelligence. CJ’s power is that in the face of these obstacles, she can still dream about a better world where other young women will have it easier than she did and people in her neighborhood and in her family stop dying too young. This is a power stories like See You Yesterday gives to our next generations. Providing platforms for storytellers from different backgrounds to play with these sci-fi concepts creates space for our young people to dream and those dreams might actually change the future.

See You Yesterday Handshake GIF

REVIEW: The Boy Who Harnessed the Wind (Netflix)

/ Ivan Strong Moore / Leave a comment

What were you doing at 13? Many of us, our bodies entrenched in the chaos of puberty, were professional eye rollers. Discovering rebellion for the first time, we’d roll our eyes at the authority of our parents shirking off any kind of wisdom, instruction, or discipline they’d impart. These optical protests weren’t restricted to the home, of course, because school was also “such like a total drag, am I right?” At 13, we are taking significant leaps towards adulthood and recognizing our unique agency in the world and we often use it to act like we don’t care about anything. So we roll our eyes telling our parents and teachers to, “ugh, get a life.” Meanwhile, William Kamkwamba, at 13, was saving lives.

This is the story of Chiwetel Ejiofor’s based-on-true-events directorial debut headed to Netflix this week, The Boy who Harnessed the Wind. In the 2000’s, crushed by the growing global financial crisis and feeling the very real effects of a climate in chaos, Malawi was experiencing life-threatening circumstances. The harvest that the local economy rested on was dangerously light. Unregulated grain prices were causing hunger and violence. Every aspect of life was being torn apart. Land that belonged to families for generations was being sold off for pennies. Schools were shutting down. Families were being forced apart.

The Boy Who Harnessed the Wind - Still 1

All of a sudden, more so than ever before, insurmountable dollar signs were associated with every human need. It was the kind of tragic reality that made Kamkwamba and his family question their worth every day. In the film, Kamkwamba’s father, played by Ejiofor, is tortured by the decisions of how to use the family’s resources. Every move feels like a gamble, even investing in his children’s education. In their village, if you excelled in school it was a way out. So why would he spend money only to break up his family and lose his best help around the farm?

So education becomes a threat to their family, to tradition, and to their resources. Kamkwamba, however, saw great value in education and, despite what he saw around him, knew that his village, his family’s land, and his family itself were worth more than anyone thought. He had to keep learning. Without money for tuition, he had to sneak into school and his local library. In the film, there’s a scene after Kamkwamba gets caught and a teacher coming to his defense says that he’s not sneaking into the school, he’s sneaking out of the fields. It was in that library where he got the idea that would save his family and his village.

Life in Kamkwamba’s village was wholly dictated by the harvest, so much so that the film itself is framed by the seasons of planting. This is not unique to Malawi. In the Old Testament, much of the lives of God’s chosen people are controlled by the harvest. Even their calendar of festivals is framed by seasons of sowing, seasons of growing, seasons of harvesting, and seasons of hunger waiting for the rains to come. This rhythm of life put into perspective man’s reliance on God to provide.

Deuteronomy 16 describes the festival that ends their harvest calendar, “For seven days celebrate the festival to the Lord your God at the place the Lord will choose. For the Lord your God will bless you in all your harvest and in all the work of your hands, and your joy will be complete.” With the harvest complete, the joy of God’s people was also complete. A fruitful harvest showed them that God was with them. So imagine how Kamkwamba’s village felt when the harvest dried up.

Thankfully William Kamkwamba was at an age when he was discovering his agency and self-worth. His optimism kept him searching for ways he could bring flourishing to the world around him. Where everyone else saw nothing but dry lands, he saw potential. Thus began a journey that led him to the TED stage and, eventually, across the graduation stage at Dartmouth College. His father thought education was the enemy of his family, but Kamkwamba’s time in that library restored his family and his village to their God given glory.

TBWHTW 1

The Boy who Harnessed the Wind is a movie about the importance of education, it’s a movie about family, it’s a movie about God’s ability to provide beyond our imagination, but it is also a movie about the growing influence we have on God’s good creation. Learning more about how the rest of the world economy depends on the health of America’s economy should make us consider more deeply our democratic responsibilities. Seeing a story about people whose lives are so impacted by the weather should make us think more about how we impact the weather.

William Kamkwamba sought to be a blessing to the world around him. His pursuit of knowledge saved lives. Ejiofor showed incredible talent in telling this story. It is exciting to continue to see Netflix give filmmakers the opportunity to make films you may not see otherwise. In his TED Talk, Kamkwamba suggests that there are young people out there that may one day watch his story and be inspired to change the world and believe in themselves. Now, on one of the most popular streaming services in the world, maybe his story will stop the eyes of 13-year-olds from rolling and instead looking for ways they’ll make the future better.

 

Heather’s Top Ten Films of 2017

/ Heather Strong Moore / Leave a comment

This has been a strange year for movies. Normally I have a very difficult time narrowing a list down to what I consider the best ten of the year, but in 2017 it has been a challenge to fill a list of ten. In my perception so many films lacked heart and focus. Movies like “Three Billboards Outside Ebbing Missouri” and even “The Shape of Water” felt flat or preachy or simply lacked resonance. For me there was a deficit of beauty, and stories that captivated. Perhaps it reflects our cultural moment in 2017 that we are all struggling to find meaning and honesty. We are still struggling to open our hearts to one another. That may have influenced the stories we told this year and the way we reacted to them. Here are the movies that stayed with me and caused me to think, feel, and connect to the human experience.

Honorable mention: These did not make the final cut but were well crafted stories that could be worth your time.

Molly’s Game – Written and directed by Aaron Sorkin, Molly’s Game is terrific. Sorkin is known for snappy dialogue which Jessica Chastain and Idris Alba deliver perfectly. Based on the true story of a young woman who creates a high-stakes poker empire, you do not want to miss this superbly written, wonderfully acted film.

MOLLY'S GAME

The Square – This is a Swedish film so the European style may feel strange to some, but it is a thoughtful exploration of the way humans relate to each other. It is quirky and uncomfortable at times, but makes beautiful use of motifs and symbols. If you are looking for a movie to give you plenty to process later, give this one a try.

Ingrid Goes West – This was a small movie which came out over the summer that focuses on Instagram culture and how we curate ourselves to others. It highlights the tendency to collect experiences in order to present a meaningful life. What is special about this take on social media is that it explores how we use the platform rather than categorically condemning it. The ending is controversial, but I find myself frequently returning to the themes in the story.

The Big Sick – The ideas in this story will feel familiar to audiences of Aziz Ansari’s Netflix show “Master of None”, but it is a warm and funny true story. It is acted beautifully with Ray Romano and Holly Hunter turning in particularly poignant performances.

Top Ten:

  1. The Beguiled – Director Sophia Coppola’s most recent film, a clever remake of a 1970s “exploitation” film of the same name and based on a novel. The original film was heavily sexualized, focusing on the male lead Clint Eastwood. The novel was also authored by a man, and the story follows an inter-generational group of women living in a girl’s school during the Civil War when all the men were away. One injured soldier wanders to their home and they take him in to tend his wounds. What I love about this story is the way Coppola reclaims the emphasis of the film to turn the focus onto the dynamics of women relating to one another during an extraordinary time period. Make sure you watch the special features for the film, Coppola’s vision for the story is beautiful as are her relationships with her cast.

thebeguiled17

  1. Coco – Pixar’s major film for the holidays is a charming and heartfelt story about family, legacy and forgiveness. The animation is stunning, the music is catchy, and the narrative is well developed and sweet. A great choice for the whole family!

 

  1. Baby Driver – The remarkable aspect of this film is the incredibly creative and precise use of the soundtrack. The story follows a young getaway car driver nicknamed Baby who suffers from constant tinnitus. To balance out the ringing in his ears, he has a collection of iPods with carefully selected playlists so he has music for every situation throughout his day. The soundtrack to the film is the music Baby is listening to, which is intricately choreographed with each movement and sound in the movie. Writer/director Edgar Wright gave the screenplay to the cast on iPads so they could listen to the corresponding music which would punctuate each scene as they read. The story is fairly simple but the use of sound editing makes it a feat of filmmaking that will you bring you back for multiple viewings.

 

  1. The Last Jedi – You do not have to be a Star Wars fan to enjoy this movie (although it probably helps). There are many things to appreciate about this installment. The cinematography is breathtaking, the characters are wonderful, the story is developed well. What struck me most is the theme of generational hand-off. How does the older generation work through their past failures and habits and empower the next generation to take their places? How does the younger generation step up to wisely channel our energy? These are important questions for the Church that Star Wars could help us think about.

 

  1. Ladybird – This is a great coming of age story that embraces and also transcends the genre. Director/writer Greta Gerwig lends an insightful take to not only depict youth but also parenthood and place. Ladybird beautifully explores adolescent ambivalence between trying to distance oneself from roots and what has shaped us, and desperately wanting to feel connected to those same things. With a wonderful lead performance by Saoirse Ronan and terrific supporting roles, this was a stand-out.

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  1. Wonder Woman – This movie produced one of the most emotional connections I had with a film this year. I think for me and for countless women in the US and around the world, Wonder Woman met a need we did not know we had. She is a female super hero in the truest sense. She is strong and capable and compassionate and determined. Her power is not in acting like a man, but in channeling the best of femininity. There is a specific scene in the middle of the film when Diana runs towards a fight, without hesitation and without fear. I still feel proud and empowered every time I think of this scene and what it means to see a woman act with courage and advocacy. The third act of the movie is a little clumsy, but otherwise it is a rare gift in the super hero genre.

 

  1. Silence – Based on the Japanese novel of the same name, this adaptation was ten years in the making for Martin Scorsese. It was released in early January 2017 which is why I am counting it in this year’s contention. The book is a haunting story of Portuguese Jesuit priests who were missionaries to Japan in the 1500s. The plot deals with faith, culture, doubt, martyrdom, and the question of where is God in human suffering. It is also a rare movie that portrays white characters entering a foreign culture in a way that honors and elevates the Japanese characters, treating them as equals with meaningful dialogue and autonomy. The runtime is long and the content is intense, but the story raises questions that are worthy of your wrestling.

 

  1. Mudbound – Ivan wrote a full review so mine will be brief. What I appreciated about this film is that it told a story not often highlighted. It follows two WWII GIs, one white, one African-American, coming back to the Mississippi Delta and readjusting to a Jim Crow South. The US tends to ignore our racial history between 1865-1965 so this is a story that very much needs to be told.

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  1. Detroit – This summer offering was met with some controversy, perhaps because director Kathryn Bigelow’s approach was misunderstood. As a director who has previously told stories that follow war and torture, she lends a fascinating take to US race relations. Her style brings a fresh lens to how we might view the policing of communities of color. It is very intense to watch, but that is the point. Check out my full review for synopsis and thematic analysis.

 

  1. Get Out – I typically avoid horror films and have mixed feelings about the genre, but writer/director Jordan Peele blew me away with his February release. He harnessed the best of what horror can be, turning a magnifying glass onto daily realities to reveal the underlying atrocities. The narrative is a horror film about racism, cultural appropriation, and turns many classic tropes on their heads to bring the audience face to face with our prejudices. It is wildly creative and I think a brilliant work. The violence is relatively minor for the genre, so even if you dislike horror as I do, consider giving it a watch.

 

Viewer content guide: Please note that some of my selections are rated R and/or contain adult content. In my opinion the value of the overall story is worth the potentially offensive content, but use your own discretion and look up ratings before viewing.