Heather’s Top Ten 2018

Last month we had friends visiting from Australia. They know we love movies and as we were talking about what we had seen recently, one of them asked “What story do you think movies were telling this year?” That’s a terrific question. Several recurring themes emerged from the cinematic landscape of 2018. It was certainly a year of representation. Stories with strong female characters abounded, as did a wide array of cultural narratives (nearly always intersecting). It was a year that explored the ways we relate to each other. In our current social/political landscape America is still wrestling with what it means to understand one another, to make space for one another. The movies that made my top ten all help us take steps towards each other as we attempt to tell a unified story.

10. Spider-Man: Into the Spider-Verse (PG)

I do not like kids’ movies. I am rarely motivated to see an animated film. But the new animated Spider-Man is one for which I’ll make an exception. Following a young teen named Miles Morales (voiced wonderfully by Shameik Moore) who is bitten by a radioactive spider and develops super powers, the movie draws on classic comic book tropes while giving a fresh spin to Spider-Man. Miles witnesses a villain open an inter-dimensional portal which inadvertently draws in Spider-People from several different dimensions. They must work together to stop the villain and return each of them home. The movie boasts stunning animation, creative use of comic source material, a great voice cast, wonderful themes of representation (see Ivan’s review), and one of the best post-credit scenes ever. This will be a favorite for huge fans and moderate fans alike.

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse (2018)

9. If Beale Street Could Talk (R)

It isn’t often that you can leave a movie about depressing social realities and feel exhilarated. Only director Barry Jenkins can accomplish such a feat. As I unpack in my full review, Jenkins has a dizzying ability to film painful topics with warmth and beauty. His unique directing style imbues the characters with dignity and tenderness even as we watch them experience terrible injustice. Beale Street helps us see the intricacy of life, that beauty and love can co-exist with powerlessness and inequality. Life is complex, and so is this film.

Barry Jenkins

Director Barry Jenkins filming If Beale Street Could Talk (2018).

8. A Quiet Place (PG-13)

Thanks to last year’s fantastic Get Out, we are seeing a surge in thoughtful horror films. This year’s A Quiet Place is a heart wrenching view of parenting and family. Set in a world of invading creatures where “If they hear you, They hunt you”, a young family must maintain absolute silence to survive. It quite literally begs the question, “How can you bring a child into this world?” Featuring real-life spouses/parents John Krasinski and Emily Blunt (with a particularly powerful performance), the film explores the fears parents feel around keeping their children safe in a hostile world. Check out my full review here.

John Krasinski

John Krasinski in A Quiet Place (2018).

7. The Hate U Give (PG-13)

Lead actress Amandla Stenberg had an impossible task. She had to carry a film adapted from a beloved YA novel that spanned the entire emotional spectrum, contained multiple dramatic monologues, and she had to not make it cheesy. And she knocked it out of the park. The story follows a black high school girl who lives in a black neighborhood and attends a predominantly white prep school, and is present when a black male friend is shot by a police officer. She must navigate codeswitching and the racial dynamics at her school, process her own trauma, manage the reactions of her surrounding community, and decide how to participate in the national conversation around police violence. Buoyed by a wonderful cast, The Hate U Give depicts so many important topics that young people of color have to deal with every day and gives voice to their experience of the world. See Ivan’s review.

6. Bad Times at the El Royale (R)

Sometimes the best movies are the ones you just walked into knowing nothing about. Bad Times falls into that category for me. Set in the late 1960s in a hotel that straddles the California/Nevada line, the story follows a cast of seemingly unrelated characters who are brought to the El Royale by a variety of interests. Written and directed by Drew Goddard, creator of Daredevil, the film unpacks deep themes of guilt, intervention, faith, and redemption. Featuring an incredible film debut from Broadway actress Cynthia Erivo, (Tony Award winner for her lead in The Color Purple) and the best performance to date from Jeff Bridges, Bad Times sails into my top ten. For other spiritual themes of the film, check out Alissa Wilkinson’s great review.

Jon Hamm

Jon Hamm in Bad Times at the El Royale (2018).

5. Vox Lux (R)

I’m guessing the popularity of A Star Is Born this fall overshadowed the more poignant new release Vox Lux, but you do not want to miss this one. Starring Natalie Portman with original music from Sia, this is a story about a pop star that tells a much bigger story. Propelled to early fame as a result of living through a school shooting, Celeste (Portman) wrestles with fame, trauma, addiction, and terrorism. Maybe it’s because I clearly remember the Columbine shooting, 9/11, and VH1’s old series Behind the Music, but Vox Lux spoke to my experience of coming of age in America. The film is an exploration and an indictment of our cultural tendency towards distraction and avoidance through entertainment and substances. It is a snapshot of the first wave of millennials, the things that shaped us, and the the ways we attempt to cope.

4. Roma (R)

My pick for Best Director this year, Alfonso Cuarón pays homage to his childhood housekeeper/nanny in his latest film. Raised in affluence in Mexico City in the 1970s, Cuarón was at the time unaware of the classism and racism in which he was unknowingly participating. Roma is dedicated to this woman who was part of his family and yet was never equal due to her different race/class. Roma is the name of the neighborhood where Cuarón grew up and the film follows the experience of an upper-middle class family and their indigenous maid. It beautifully details the sometimes obvious sometimes subtle classism the young housekeeper endures and the way her experience of the world differs from that of her employers. With stunning cinematography and a striking performance from first-time actress Yalitza Aparicio, Roma tells an important story that will captivate you.

Yalitza Aparicio

Yalitza Aparicio in Roma (2018).

3. Won’t You Be My Neighbor (PG-13)

I dare you to see this movie and not be moved to tears. In a time where nearly all of our heroes have fallen to scandal and hidden toxicity, we were in desperate need of a hero who genuinely was good and kind. Look no further than Fred Rogers. This documentary brings to life Fred’s deep conviction that all people are endowed with dignity and value and we should all know that to be true. Driven by his Christian faith and a belief that everyone is made in the image of God, Fred wanted children to know they have an important role to play in the world. Helping us cope with deep emotions and tragic current events (from the JFK assassination to the Challenger explosion), Fred and Daniel Tiger were there to guide us. If you need to renew your hope in what our society can be, go spend some time in the Neighborhood.

Fred Rogers

Fred Rogers in Won’t You Be My Neighbor? (2018).

2. Eighth Grade (R)

“Hey guys! Today I’m going to be talking about…” In a shocking turn of unlikely creative sourcing, a 28 year old male comedian (Bo Burnham) made a beautiful movie about the experience of being a young girl. Having himself come of age as a teen YouTube sensation, he was able to empathize with the anxieties, insecurities, pressures and veneers that make up what it’s like to be an 8th grade girl in our modern times. Led remarkably by newcomer Elsie Fisher, the movie is sympathetic and awkward and insightful. It brings to life the vulnerability of being young, the ways it is difficult to connect with both friends and parents. It is not just about being an 8th grade girl, it helps all of us understand what it means to be young in an age of technology and connectivity.

Eighth Grade

Elsie Fisher in Eighth Grade (2018).

1. Black Panther (PG-13)

I saw this movie four times in theaters. I’ll say it one more time for the people in the back, director Ryan Coogler changed the game with Black Panther. It redefines what a superhero movie can be. Who would have thought that a comic book movie could explore the experience of the African diaspora? So far beyond simply blowing things up and high speed chases, Coogler used the platform of Marvel to ask deep questions about identity, belonging, and the future of a global society. A master at taking source material and adapting it in a way that honors the original content while giving it countless new layers of meaning (Creed is another prime example of his abilities in this area) Black Panther stays true to the comics while helping all of us process our place in the world. With terrific performances, a stunning variety of female characters (see my full review here), this is the most enjoyable and most important film of 2018.

Black Panther

Letitia Wright and Chadwick Boseman in Black Panther (2018).

Check out Ivan’s Top Ten here!

Ivan’s Top Ten 2018

This was a stacked year at the cinema! I’m not sure what’s to blame, but this has been my most challenging Top Ten list to date. There were a gaggle of really enjoyable big budget blockbusters like Avengers: Infinity War and the cultural milestone Black Panther. The family friendly genre was spoiled with the richness of Spider-Man: Into the Spider-Verse and Paddington 2. That’s right, the Paddington sequel came out early this year and it was phenomenal! Documentaries made things difficult as well with the baffling Three Identical Strangers and the dizzying Free Solo proving reality is, truly, stranger than fiction.

More and more people were able to see themselves on screen in 2018. So much of what studios thought they knew about box office projections were defied nearly every week at the cinemas. The legacy of this year in film will hopefully be one that motivates producers to take more risks and tell more stories that surprise, provoke, and represent everyone. Here are those stories that moved me the most.

10. Leave No Trace (PG)

It’s hard to say why Debra Granik’s Leave No Trace was incredible. This is probably because a lot of the meaning and power behind the film were found in what the characters had a hard time saying. Granik doesn’t give you much in the way exposition in this story about a military veteran who chooses to live off the grid with his adolescent daughter, but so much is said in Ben Foster’s stoic and tormented performance. You know he loves his daughter more than anything. You know he’d do anything for her. But you also know that whatever scenes from his past are playing over and over behind his eyes, whatever trauma is boiling under his skin, whatever it is that he’s trying to escape…are driving him into isolation. It’s a subtle, heartbreaking picture of life after war, and one worth paying attention to.

Leave No Trace

Thomasin McKenzie and Ben Foster in Leave No Trace (2018).

9. First Man (PG-13)

First Man, an account of Neil Armstrong’s journey to the moon, is lightyears ahead of Damien Chazelle’s mundane and pretentious La La Land. Chazelle brings you into the rickety cockpit of the early space program while showing you that in order to reach the stars, you may have to detach from everything else. Ryan Gosling isn’t singing and dancing as the famous astronaut, quite the opposite actually. He perfectly exemplifies the stoicism of masculinity in mid-century America and the emotionless tenacity involved in taking this dangerous mission. Chazelle was the perfect director to ask these questions about what it takes to achieve such heights, a similar theme explored in his excellent film Whiplash. Helping guide the audience and her family through this mission is Claire Foy’s Janet Armstrong, Neil’s wife. Next time you find yourself staring at the moon at night, this movie may leave you thinking about Janet and so many others that were left behind here on Earth by men reaching for greatness.

Read Heather’s review of First Man here.

8. If Beale Street Could Talk (R)

One of the dictionary definitions of a “prophet” is, “one gifted with more than ordinary spiritual and moral insight.” I think James Baldwin was a prophet. His words paired with the directing of Barry Jenkins, the Oscar-winning filmmaker behind Moonlight, brings more than ordinary insight of life on Beale Street. A block of text begins the film explaining that the concept of Beale Street, is a street where communities of color form through systematic injustices. In this film adaptation of Baldwin’s novel, viewers get to see the beauty of such communities painted, through the camera lens, on the back drop of the oppression they experience on a daily basis. In the story of Tish and Fonny’s love, Baldwin and Jenkins highlight inequality in criminal justice, housing, religion, employment, education, and so much more. Too often ugly stories are told under a light that makes the subjects look ugly, but Beale Street tells the story of beautiful people who are victims of ugliness. The film tells a story that feels hopeless, but Jenkins tells truth without surrendering any beauty.

Read Heather’s review of Beale Street here.

7. Vox Lux (R)

At this point, it’s possible that Natalie Portman has an automatic entry on my Top Ten list whenever she has a movie coming out. In Vox Lux, she is riveting! The film tells the story of a mass shooting survivor turned pop music star. There is a moment in the film when Portman’s character Celeste wonders how she, as a mega celebrity who seemingly achieves more fame when she does harm than when she produces new art, compares herself to terrorists. This feels like a film for our times and one that Portman brings so much to. The monsters of fame and trauma have made Celeste a dangerous person to those around her, but when her wireless microphone is on, when there’s glitter adhered to her eyebrows, and when she is hitting every step of her choreography even those most hurt by her are caught up in her trance and you may be too. Vox Lux carries an R rating and viewers could use a heads up that the depiction of the mass shooting that opens the film is terrifying and graphic, but the film asks if that is a fitting mirror to our everyday reality?

Vox Lux

Natalie Portman in Vox Lux (2018).

6. Won’t You Be My Neighbor? (PG-13)

Outside of Heinz Field over on the North Side of Pittsburgh, a big statue of Mr. Rogers overlooks the three rivers. It sits, sculpted with a signature sweater and tennis shoes, with on leg crossed watching with a smile on his face. This is, similarly, how he has supervised over much of my childhood. From doing ballet with Steelers great Lynn Swann to visits to the crayon factory to heartfelt reminders that I am loved and my feelings matter, Fred Rogers’s influence on me is immeasurable. With this year’s best documentary, I realized just how many others have been and continue to be influenced by Fred. The equation was this; a Presbyterian minister, primitive puppets, cheap sets, and a public access feed. All of this added up to magic and it all came from one man caring in a different way. This movie left me in my theater seat dreaming of all the people who have cared deeply about me and hoping that others have felt that way about me caring for them. Fred’s influence continues.

Fred Rogers Statue Pittsburgh

Fred Rogers statue overlooking Pittsburgh.

5. Eighth Grade (R)

I am not a middle school girl. Neither is 28-year-old stand-up comedian, Bo Burnham, but he has created such an authentic picture of today’s youth culture that anyone can relate to it. There are many seasons in life where humans will stop and wonder who they are. Post-college, mid-life, end-of-life, and others are all ages when our identity is worth evaluating, but is there a more tumultuous time than the first? We hit middle school and, all of a sudden, it’s a mad dash for acceptance, affirmation, and our own individual truth. Today’s kiddos are going through this pubescent tumult live on Instagram. Burnham researched hours and hours of YouTube vlogs to capture the vulnerability portrayed by actual middle schooler Elise Fisher. The product is a movie that will take you back to every acne break out and broken heart of your youth. Thanks a lot, Bo.

Bo Burnham

Bo Burnham, writer and director of Eighth Grade (2018).

4. Bad Times at the El Royale (R)

I want you to watch Netflix’s Daredevil creator Drew Goddard’s twisty-turny thriller, and to best do that you should have as little information as possible. What I will tell you is that it features two of my absolute favorite acting performances of the year. Cynthia Erivo brilliantly leads this wild ride and Jeff Bridges is only getting better as time goes on. Bad Times wrestles with morality, spirituality, and forgiveness so be ready to wrestle along with it. Nearly every scene in the movie changes what you think is happening and how you feel about each character. What never changes is how I feel about the movie. It’s a really good time.

Bad Times at the El Royale

Cynthia Erivo in Bad Times at the El Royale (2018).

3. A Quiet Place (PG-13)

Parenting is absolutely terrifying to me. The idea that I would have responsibility for the well-being of something as uncontrollable as another human being, one with very little inhibition or wisdom, is a nightmare. This is a nightmare The Office’s John Krasinski brings to terrifying life in A Quiet Place. There’s no room for error for Krasinski’s Lee who, along with his real-life wife Emily Blunt’s Evelyn, attempt to navigate their children through a word with unspeakable danger. The kids in the film are so authentic. Even in a world of monsters, they are kids with all their selfishness and wild tantrums kids have. A Quiet Place forces you to scream not only at the monsters but at these kids that just won’t sit still! The world Krasinski builds is immersive and doesn’t let you escape until the very last frame. It’s impossible to sit back, relax, and watch this one, but that makes it such a thrill.

Read Heather’s review of A Quiet Place here.

2. Crazy Rich Asians (PG-13)

Just when everyone thought Marvel’s Black Panther was going to be the only financial surprise at the box office this year, Crazy Rich Asians came in breathing new life into a genre many thought was gone forever to a world of mediocrity. Romantic Comedies have always been one of my guilty pleasures, but Crazy Rich Asians defies the category. I’ll admit I’m as guilty as the studios when it came to my expectations for the movie. I hoped to laugh, I hoped to have a cross-cultural experience, but, I never expected to be so deeply moved. I had heard an interview with the film’s director, Jon M. Chu, before seeing the movie that added context. He spoke about his complicated relationship with the Coldplay song “Yellow,” how he wrote a letter to Coldplay talking about his experience as an Asian-American for whom the color was often used to belittle, and how important is was to include the song in his film. For Chu, this film was about capturing a story not often told. It was about showing others the beauty of his culture, and the minute that song played in the film, I started crying. This wasn’t just a romantic comedy, this was a movie with incredible characters and a meaningful story tied richly into their culture and tradition. It was one of many statements made this year that there are stories to be told outside of the majority culture and movie-goers responded making it the second highest grossing non-franchise movie of the year.

Crazy Rich Asians

Crazy Rich Asians (2018)

1. Roma (R)

Netflix has a record of changing the way we experience content. It seems every week there’s a new streaming service, and competition has never been more intense to create the next great work. Well sit down, Prime Video. Get out of the way, Hulu. Who even invited you, Crackle? Netflix has offered us this year’s best film, Alfonso Cuaron’s Roma. This black and white, subtitled movie is autobiographical for the Gravity director. It tells the story of a maid, like the one who cared for him as a child, living and working in an affluent town in Mexico. The town of Roma basically runs through the hard work of indigenous Mexican women, and Cuaron drops the audience into her life, into her language, and into the politically volatile world of 1970’s Mexico. It was so surprising, and emotional. Cuaron cast a first-time actress, Yalitza Aparicio, to bring his lead, Cleo, to life. She fills Cuaron’s long, expansive frames with such beauty and authenticity. Much like Cuaron’s Children of Men, he rolls the camera and allows scenes to develop and evolve with very few cuts or movements. This is very much his love letter to Mexico and the woman who inspired Cleo and the film, Cuaron’s own live-in maid, Libo. This is a letter very much worth reading and the great thing is that anyone borrowing somebody’s Netflix password has access to it.

Roma

Yalitza Aparicio in Roma (2018).

Check out Heather’s Top Ten here!