REVIEW: Wolfwalkers

Director Tomm Moore knows the feeling of being otherized. “When I was a little kid, I was in a playground and I was playing with this little kid and his brother came over and asked if I was catholic or protestant and that’s how I found out I was catholic and how I found out that there was a problem with being one or the other.” Moore and his team have recently been nominated for their third Academy Award for Wolfwalkers, a delightful, animated feature steeped in Irish folklore and carrying themes that never seem to get less relevant. At its core, Wolfwalkers is about our connection to our past and to nature, but it is also a signpost for us all as we seek to tear down the many divisions in our society.

“I hate to say it, but I grew up in the 80’s and the tension going back to the English colonization was really present and I thought we moved past it but even today riots have started again. I feel like we need to talk about this,” says Moore as his film that premiered at the Toronto International Film Festival in September of 2020, seems to be speaking even louder so many months later. Britain’s ongoing exit from the EU and the stress of a global pandemic have brought new unrest stemming from decades old divisions in Northern Ireland. Here comes Wolfwalkers, a story about a little English girl, Robyn, living in a British settlement in Ireland befriending a little Irish girl, Mebh, who lives in the woods and may have supernatural wolf powers.

Wolfwalkers

Robyn lives with her father in a puritan village that she very desperately wants to escape from. She would love nothing more than to run through the woods hunting with her father, but, in his misguided attempts to keep her safe, she is, instead, relegated to the palace kitchen. Naturally, Robyn follows her father anyway and winds up on an adventure alongside the wild-haired Mebh and her wolfpack. Mebh isn’t what Robyn is used to. At first, she’s even more off putting than the wolves. Once Robyn has a chance to see the world through Mebh’s eyes, though, her awareness, her sense of self, and their friendship begins to grow. Moore says of what he hopes to convey in the film, “I think about little girls that can see this story playing out and see that they have some say in their voice because it’s still a bit of challenge I think for young women to go against the grain of what society says.”

There just aren’t that many stories focused primarily on female friendship and empowerment, but what is so encouraging about Wolfwalkers, is that it allows Robyn and Mebh to make mistakes as they navigate a world that says they shouldn’t be friends. This is especially true as Robyn tries to bring her dad along on her journey of enlightenment only to find new pressure and stress to conform and stay safe. The process of reconciling divisions in our world is incredibly messy. We see that all around as it often feels like we are taking one step forward and five or six steps back. As we finally have a police officer on trial for the murder of George Floyd, a few blocks away history repeats itself. As history is achieved with America electing a female Vice-President, the capital is stormed with violence and insurrection. As Robyn tries to embrace her wild side and help Mebh out, she ends up reflecting her own oppression onto Mebh.

Wolfwalkers 2

It is a sophisticated film that makes these complicated themes very palatable for children. Afterall, it is when we’re young that we first start recognizing our differences. Just as Moore did on that playground as a kid, and as he describes when he first moved from Northern to Southern Ireland. “So when I came down I had to do a lot of adapting to try and fit in. I had to try and change my accent on purpose, play down how my parents would take me to mass every day, a lot of that stuff that wasn’t seen as ‘cool’ or ‘normal’ amongst kids in my school.” Moore and his filmmaking team hope to inspire our current younger generations to imagine something different. He says, “That’s who it’s for, really, that generation. Cause they’re the ones that have to deal with all the division that we have and maybe if they can see themselves in these characters, they can imagine a less divided way of relating to each other.”

The film also imagines a world where the safety of women is placed more firmly in their own hands, something that is rarely a given in our world plagued by continued oppression of and violence against women. Complete human flourishing is often hard to come by in our fallen world. Wolfwalkers allows us, through folklore and friendship, the opportunity to have a holy imagination and look towards something better. Can you envision a world where all women are allowed to run free into whatever adventure they choose without fear? Hopefully it won’t be long before that world is a lot less fictional and with only slightly fewer magical wolves.

Wolfwalkers is currently streaming on AppleTV+

Ivan’s Top Ten Movies of 2020

The year that was 2020 didn’t offer us much. In fact, many would say, that it did more than its fair share of taking. However, what happens when you put two cinephiles in quarantine and lockdown for an extended period of time? Well, you watch a bunch of movies. This year offered us the chance to watch older movies we hadn’t seen before and, of course, watch an unprecedented number of new movies. Yes, there were a lot of new movies this year even if we had to circumvent the theaters to watch them. I can’t wait to get back in the cinemas in 2021, but the pandemic did give films that normally wouldn’t have had an extensive theatrical run a better chance to shine and shine they did. Get ready to add some entries to your queues because here are the top ten films that I enjoyed in 2020.

10. Tenet

There was a very brief window between lockdowns when I was able to don a mask and sit in a massive IMAX theater and watch Christopher Nolan’s Tenet. It blew my mind. Unfortunately, I did just re-watch it at home and it was not the same. It’s no surprise that Nolan loves IMAX and formats his films for that experience, but it is a shame that many won’t ever get to enjoy the richness of those brief couple of hours I got. John David Washington added another amazing performance to his burgeoning resume, and Robert Pattinson was an absolute delight. Nolan always makes you work a little bit to follow his movies, but Tenet was a spectacle I am grateful I got to see in all its glory. There were even large portions of the film where the characters were wearing masks, so it felt like I was in the movie.

Tenet is currently available wherever you rent movies on demand such as Vudu, Apple, or your device’s media store.

9. Sh*%house

If I were to read the synopsis or describe what takes place in this movie, you’d probably never believe it was any good. On paper, this sounds like any other sort of college party movie, but Cooper Raiff’s filmmaking debut is way more Before Sunrise than it is Animal House. Sh*%house is somewhat of a selfish entry on this list because I am a white male who went to college, and so, in many ways, this film was made for me, but Raiff captures something here that is a little transcendent of the subject matter. He is able to really show what those early years in college can be like. He also creates a character whose sensitivity and emotions are on display which really takes this movie away from the red solo cups and out from under the black lights into something refreshing and different.

Sh*%house is currently available wherever you rent movies on demand such as Vudu, Apple, or your device’s media store.

8. The Truth

Hirokazu Koreeda made big waves with his 2018 film, Shoplifters, about a Japanese family of small-time crooks. Naturally, his next film would be about an aging French actress and her relationship with her daughter. That is what we get with The Truth. This is a very intimate, and often funny, drama about myths and narratives that form in any family. Uncovering the truth in a family’s history can be really painful especially when it’s been hidden or protected over decades and decades. Juliette Binoche and Catherine Deneuve absolutely soar as the mother and daughter dueling over what is true, how they have been hurt, and how they can keep existing as a family. They are both the heroes of their own story and there aren’t easy paths to the truth or to healing. It might be worth diving into and pondering the story you’ve created around your own family.

The Truth is currently available wherever you rent movies on demand such as Vudu, Apple, or your device’s media store.

7. Ma Rainey’s Black Bottom

Ma Rainey’s Black Bottom would have gotten my stream from the very start. Another August Wilson adaptation with Viola Davis. A 1, a 2, and you know what to do! Just hit play! Then the unthinkable happened. You see, this movie also features a career best performance from Chadwick Boseman. It would have been such a joy to watch Boseman’s star continue to rise as he worked the awards circuit and watched another role of his become iconic. As Levee, Boseman dances across August Wilson’s words with charm, confidence, pain, and desperation. If you haven’t yet processed the loss of this incredible person and talent, that’s ok. But when you’re ready, seeing him do his thing one last time could be somewhat cathartic.

Ma Rainey’s Black Bottom is currently streaming on Netflix.

6. Mangrove

Like I said before, there wasn’t a lot of abundance in 2020. However, director Steve McQueen popped off this year. He didn’t just give us another shiny entry into his already glimmering catalogue, he gave us five! Amazon is categorizing his anthology as a series, but Small Axe is actually 5 films depicting stories of West Indian immigrants in England in the late 70’s to early 80’s. Each one offers a unique story, but the best of these to me is the courtroom drama, Mangrove, about the trial of “The Mangrove Nine.” Black Panther’s Letitia Wright has never been better in the role of activist Altheia Jones. This is definitely more proof to the positives of the streaming revolution. No movie studio is going to fund five movies like this, but especially now that there is such a demand for content, more stories like this get to be told.

The Small Axe anthology is currently streaming on Amazon Prime.

5. The Painter and The Thief

What if someone was able to truly see you? I’m not saying that picture you chose as your profile picture but to see you at your very worst. Does that thought scare you? If you had to paint that picture would it be an attractive one? The Painter and The Thief absolutely floored me. It documents the real-life friendship of painter Barbora Kysilkova and the man who stole her paintings, Karl Bertil-Nordland. Kysilkova meets Bertil-Nordland at his absolute worst. He is struggling with his addiction and on his way to prison for the theft that he barely remembers. At the trial, she asks him why he stole the paintings, and his response is because they were beautiful. The next question is what takes these two on an unimaginable journey of forgiveness and the beauty of art. Kysilkova asks if he would meet with her so she can paint him. Sometimes we all need someone who can see us as we truly are and still see our inherent value. It is in those long sessions of sitting in occasional conversation, but mostly silence, that a bond forms that changes them both. It is such a clear picture of restoration that I won’t be able to shake.

The Painter and The Thief is currently streaming on Hulu.

4. First Cow

I’m not sure a movie made me hungrier this year than First Cow. Director Kelly Reichardt tells a slow, quiet story of two men who are drawn together by a very significant arrival in their pioneer community in Oregon. That arrival, of course, is the territory’s first cow. There is a genuine calm to this movie that was very welcome this year. Normally, when I’m watching movies and tv set in this time period I’m distracted by how muddy and ugly everything is, but this was a beautiful film in both theme and aesthetics. One word of warning, though, this movie features scenes of delicious looking donut fritters covered in honey.

First Cow is currently available wherever you rent movies on demand such as Vudu, Apple, or your device’s media store.

3. The Assistant

The Assistant is an incredibly timely film in its subject matter but also in featuring a young actress that is becoming a megastar in Julia Garner. Very few actors could bring to the table what she does in this super subtle movie. In the film, Garner plays the assistant to a Harvey Weinstein type. She does such a brilliant job conveying what is happening in this young woman under the surface. She has to because she is in a position where she can be penalized greatly if the wrong word, emotion, or facial expression breaks through. The tension is crushing. Sadly, I would imagine that many women won’t have to make great leaps to understand what Garner’s character is feeling, but her performance and the film as a whole invite everyone else into this experience.

The Assistant is currently streaming on Hulu.

2. Minari

I am cheating somewhat with this one because Minari won’t be broadly available for some time. Our local film festival offered an opportunity to screen this new film starring The Walking Dead actor Steven Yeun at our drive-inn and we jumped at the chance. The film is about a Korean family attempting to assimilate into the American south in the 80’s. After exiting The Walking Dead with a bashed in head, Yeun has been making some fantastic choices to follow up his television success. Burning was one of the best films of the last few years and featured a powerhouse performance by the artist formerly known as Glen. Yeun isn’t the whole story here, though he delivers another great showing. This is a family drama, and every character brings a lot of depth to their Arkansasan agrarian life. This is another film that has a calmness to it in the midst of its tension and humor. There is an authenticity here brought in from writer/director Lee Isaac Chung’s own life story, and I am thankful for it. If you want to know more, I did write a full review here!

Look for Minari to be available sometime in early 2021.

1. Sound of Metal

I’m more of a pop music kind of guy. In fact, the music in the beginning of Sound of Metal confuses me more than anything. It’s chaotic, loud, and impossible to ignore. It turns out, though, that this music is actually holding together the mind of Ruben, the film’s lead played masterfully by Riz Ahmed. There are moments early on when it seems, externally, that Ruben has it all together, but once this heavy metal drummer suddenly loses his hearing, the internal metal music of his mind comes pounding to the outside. It isn’t just that he won’t be able to drum, it’s that this music was allowing him to direct the chaos of his mind. From a technical standpoint this movie features some amazing cinematography and wildly clever sound design, but it is the performances that pull you in. In those poorly lit clubs filled with the screeching guitars and vocals, I wanted to pull away from the screen, but the way this story is told kept drawing me closer and closer. Most of us have been stripped of some form of physical or emotional safety net this year, and Sound of Metal brings us into that very situation when things are dire and we’re prone to scramble or forced into bad situations just to try and survive. That reality is reflected in this film, but, by the end, I believe Ruben is going to keep on living and you should to.  

Sound of Metal is currently streaming on Amazon Prime.

REVIEW: News of the World

What does your current relationship with the news media look like? According to Gallup, most Americans don’t trust the mass media. Odds are, even if you do it’s not completely. Not only is trust an issue, but as we enter digital spaces it becomes easier and easier to build echo chambers. Essentially, echo chambers are “situations in which beliefs are amplified or reinforced by communication and repetition inside a closed system and insulated from rebuttal.” This concept has gained momentum as researchers have explored our relationship to social media and mass media, but, functionally, echo chambers have existed for much longer than Twitter. If that is news to you, then Tom Hanks and director Paul Greengrass have something to share with you, their new movie, News of the World.

Based on a 2016 Western novel by Paulette Jiles, NOTW follows Captain Jefferson Kyle Kidd (Hanks) who, in a post-Civil War Texas, makes his living travelling town to town reading the news to anyone whose got a dime and wants to hear it. What Capt. Kidd is really offering these isolated Texas towns is an opportunity to step outside their echo chamber. Imagine what communities in the American South were like in the immediate aftermath of the Civil War, or even before. Without news from the outside world, there would be a lot of opportunity to stew in the defeat and regret of the battles and continue to hold on to the narratives that brought the country to war in the first place.

Alongside Capt. Kidd, is Johanna, a young girl that was kidnapped and raised by the Kiowa tribe after her family was slaughtered. Kidd becomes responsible for transporting her across Texas to her extended family. Along the way he must learn to communicate with Johanna, who only speaks Kiowa and mostly thinks Kidd is kidnapping her again. As Kidd is offering the news from town to town, Johanna is offering him an opportunity for a second chance at life. The Captain got his rank from fighting for the confederacy in the war and that role left scars on his body, heart, and mind. Johanna’s presence challenges Kidd to reckon with his past and the current state of the world complete with folks hanging on to the confederacy and intense fear of indigenous people.

The Reconstruction Era is a fascinating backdrop that probably should be explored more in film. I wonder what echoes of that time still ring in present day America. It is in the exploration of that time period that this movie shines. There are moments when you can see the impact that the art of story has on a community. The simple act of reporting the news can build bridges to life beyond what the people can see in front of their faces. Perhaps my favorite sequence in the movie involves Kidd sharing with a struggling community the story of a mine accident in Pennsylvania. You can see him trying to bring these two very fractured parts of the country to some common ground and it changes people.

Greengrass is most known, and most commonly touted, for directing the heart-pounding action of the Bourne franchise. If you are expecting Hanks to take down his foes with some martial arts and a rolled-up copy of the “Houston Chronicle” you’re going to be disappointed. NOTW is a much slower, more methodical kind of action. Afterall, Kidd’s character in the book is 71 and Hanks plays him as someone who has more than a little bit of hitch in his giddy up. Did you know that Tom Hanks can act? Well, he can and is classic Hanks here. He’s warm and folksy with some of both Captain Phillips and Woody under his cowboy hat. Still, the film overall is telling a very complex story and may have benefitted from more focus on either the power of the news or the redemption of Capt. Kidd. It struggled to encapsulate both.

I can’t imagine this is going to be the flick that will keep the kids’ attention through the holiday, but the movie could act as that hardback history book we all bought our dads one Christmas or another. In the world of a thousand streaming services, maybe Hanks is creating a lane as the king of the dad movie. Our bright, white Air-Monarch-wearing public will probably find a lot to like in this old school Western, but for others it is interesting to contemplate how we absorb our news. Mass media might not be the answer, but echo chambers aren’t either. We have to keep building bridges and sharing our stories. That is ultimately the power that news and technology offers us, pictures into the lives and experiences of others. We have the ability to reach out across miles and miles of space and time to learn, care, and grow. If we don’t, then I’ve got some bad news for you, not a lot about our current world will ever change.

News of the World releases in select theaters on Christmas Day.

REVIEW: Soul

The number 42. That is the answer author Douglas Adams gives to the ultimate question of life, the universe, and everything. What is the meaning of life? It’s a big question given a very simple answer in The Hitchhiker’s Guide to the Galaxy. Would that it were so simple. Though many have tried over the eons, this question continues to baffle generation after generation. Now our up-and-coming millennials and Gen Z have an answer all their own, work. Barna Research Group found that among the top priorities of our next generations “Finishing my education” and “Starting  a career” topped the list. We are guiding our young people to assign their worth and value to the search for their purpose, passions, and work. What are they meant to do with their lives? What if their chosen path doesn’t provide for them and their families? What if they get into their career and hate it? No wonder anxiety about the future is also on the rise in these generations. It’s these massive questions of life, the universe, and everything that Disney and Pixar try to tackle in their new film, Soul.

Pixar Soul GIF

Soul centers around jazz musician and middle school music teacher, Joe Gardner, brought to life by Jamie Foxx. Joe is stuck in a cycle of chasing gigs around New York in a quest to be a professional musician. He’s been at the gig game for a while but is so laser focused on his passion that he even balks at the chance for a stable career at his middle school. Just when Joe thinks he has found his big break, a tragedy sends him into the soul realm where he faces the great beyond. In soul world, he discovers how human’s souls are crafted with their personality traits and passions. That’s when he meets 22 (not to be confused with 42) who is an unfinished soul in need of mentoring and just might be Joe’s ticket back to the real world.

In 22, voiced by the iconic Tina Fey, we get to explore all of the things that create our identities as people. Identity, aren’t we all on a never-ending quest to find ours? We so desperately want somebody, anybody, to tell us who we are and what we’re supposed to do. How many Buzz Feed quizzes can you take? We’re all a little of each Harry Potter character, aren’t we? How many different numbers on the Ennegram scale are you going to say, “That sounds like me”? These are complicated questions, but Pixar is used to diving into these deeper questions about how we work. Soul will undoubtedly receive many comparisons to Inside Out, and, much like Taylor Swift’s Folklore and Evermore, they really could be sister projects. Where Inside Out was looking deep into human emotion and the role our emotions play, Soul is looking at humanity itself and the role we all play in society. Its looking at what does it actually mean to live. It is fascinating the way the film asks you to decipher the fine line between passion and vocation and between pursuing your dreams and stalling out.

Pixar Soul GIF 2

Many have tried to define such ambiguous terms like purpose and passion. Maybe you have a definition that works well for you. I often come back to Andy Crouch’s article on “The Three Callings.” Crouch focuses a lot on what it means to be an image bearer of God. The concept of the image of God as outlined in the very beginning of scripture and threaded throughout, is that if you are human, you have been made in God’s image. What’s so beautiful about that is that we are all so different yet somehow encompass this form together. That means God cares about the things that you care about! God cares about art, math, video games, music, engineering, fashion, microbiology, quantum physics, basket weaving, professional ping pong, etc. What’s so fun about Soul is that it invites you to examine the activities, the people, and the work that sparks your passion.

Pixar Soul GIF 3

Rarely has asking some of these bigger life questions been so much fun or looked so beautiful. Pixar, once again, pushes the boundaries on animation as they blend three-dimensional and two-dimensional art as well as mixing the abstract with that grounded in reality. You wouldn’t be wrong to expect other familiar Pixar traits as well such as cross-generational humor. Yes, they say the word “butt” to make the kids chuckle but there’s also a very classy “pizza rat” reference and a pointed jab at all of you megalomaniacs out there. Don’t be fooled by Soul skipping theaters and heading straight to streaming on Disney+ without Mulan’s premium fee. Disney is giving its subscribers a gift with this one. Our next generations need to watch and learn that there is grace in finding and pursuing their passions. They need to see what it looks like to pursue life outside of the work that defines them. It was as if they decided to animate Morgan Freeman’s famous line from The Shawshank Redemption, “Get busy livin’ or get busy dying,” and I am absolutely here for it.

REVIEW: Hillbilly Elegy

Something happened during the 2016 election. As a country, we watched as droves of voters in rural, white, working class counties that often shone blue turned a deep red. How could this happen? Looking for a quick and satisfactory answer, many folks gravitated towards a singular work, J.D. Vance’s memoir, “Hillbilly Elegy.” Though the book does touch on the sociopolitical trends of white rural poor in America, it may not have been totally fair to pin the decoding of this turning of the political tide on Vance’s words. At the end of the day, “Hillbilly Elegy” is one man’s story. Eventually, people aware of the book realized it didn’t actually solve the riddles we were puzzled by in American society. The comfort found in the book post 2016 election quickly soured into anger that evils like white supremacy haven’t gone away.

It wasn’t Vance’s goal to completely confront America’s history of racism or deconstruct current patterns in the 24 hour news cycle. “Hillbilly Elegy” doesn’t actually wrestle with many of the broader issues present in America in 2016, 1776, or 2020. Vance planted a foot in his past and his context and tried to tell the world what he was seeing from his point of view. There are deeply destructive trends in white rural communities all over America and Vance was able to shed light on them by tapping into his personal experience. Still, the book carries the weight of that particular moment in history and it’s public perception suffers for it. So when Netflix dropped the trailer for the film adaptation directed by Ron Howard and starring Amy Adams and Glen Close, many feared that the story would continue to give people incomplete answers for centuries old questions. The problem with the film Hillbilly Elegy, isn’t the societal pressure placed on the source material, it’s that it’s not a good movie.

There have been some truly incredible films lately that have taken audiences, and awards voters, into the lives of America’s most marginalized and poverty stricken. The Florida Project is a great example because it takes the context of Disneyland and contrasts it with the many people struggling to survive outside the Magical Kingdom’s gates. Even a film like Moonlight has a lot in common with Elegy in terms of subject matter and non-linear storytelling. These movies were focused, subtle, and pulled you directly into the lives of their subjects. There is nothing subtle or focused about Elegy. There is an old moviemaking adage of “show don’t tell.” It dictates that filmmakers should rely on visual communication to get their story across instead of a device like voiceover or flashback. Hillbilly Elegy seems to subscribe to that philosophy, and then some. The film shows, tells, shows some more, shows a few more, and then tells you again.

The film enters Vance’s story through one specific moment during college paired with several key moments from his childhood. Most of it centers around how Vance’s people, his family and community, help each other out when life is throwing punches. The J.D. in the film then must wrestle with the tension of trying to help himself as well as trying not to help his mother to the point of enabling her addictions and behaviors. We catch up with adult J.D. after his military service in the Marines, after his undergraduate studies at Ohio State, and some time into his career at Yale Law School. He’s in the midst of interviewing for a very important internship when he gets a call from home. Life had thrown another punch. We then see flashbacks of traumatic events revolving around his mother’s destructive and abusive tendencies.

Throughout the drama J.D. also interacts with the greatest source of support in his life, his grandmother. Real life J.D. credits his grandmother for a lot of his success. It’s because of Mamaw that J.D. is able to pull his bootstraps all the way up and march towards Yale. Of course, this is shown in a Rocky-style montage of taking out the trash and studying really hard. See, says the film, anybody can just work hard and make it. Even Vance admits that that’s not the foundation of his story. He made it because he had someone to help him. Not everyone has that, but again, this movie is not interested in subtlety or complexity.

When I mentioned those punches that J.D. takes throughout the movie, that is another example of the film’s lack of much needed subtlety. Nearly every moment in the film is played as a haymaker making sure that idea that J.D. has a hard life is beaten into our minds. Yes, sometimes when life is very difficult it does feel like hits keep coming one after another, but life is often way more nuanced than that. There is a brief moment in flashback that shows J.D. making breakfast with his girlfriend. He asks for syrup in his accent and she gets on his case for the mispronunciation. It’s a moment of humanness and levity that gives us a break from the punches. Elegy needed more of that.

In The Florida Project, between scenes depicting drug abuse and hunger, the young protagonist, Moonee plays and escapes into her imagination. In Moonlight, Chiron finds himself in moments of love, joy, and happiness around the dinner table of a neighbor. If we don’t have these moments to humanize everyone in the story, then the characters come off as one-note and unlikeable. Elegy gives you almost no reason to like J.D.’s mother or even to like the place he grew up. It relegates some of the more complicated, but important, components like breaking cycles of generational poverty and abuse to footnotes as it yells through the screen that J.D. and his family are poor and hopeless.

There are moments where the movie hints that it could have been something greater. Stressed about finding a rehab facility for his mother, J.D. engages with some friends who all have a suggestion. They know the area facilities like they’re local restaurants. Each of them have had friends, family, or neighbors that have dealt with drug and alcohol abuse. I was expecting someone to stop and say, “Wow, I guess we’ve all had someone close to us enter rehab.” Thankfully, they didn’t. We were given a clear, but subtle picture of their lives. Finding a rehab facility is normal. There are people in these regions of America crying out to be seen, crying out for help. Help like J.D. found in his grandmother. She saw him and decided she would step in and give him a chance at a better life. In 2016, when Vance’s book was making its initial rounds, there was a moment where our eyes were on Appalachia, but I fear with this adaptation people may just want to look away.

Real life J.D. Vance

REVIEW: Minari

What are some of the earliest memories from your childhood? As a child of the 1980’s, I remember how dark every room of our house seemed with our shiny wood paneling that was all the rage then (and that still persists behind a recent coat of white paint.) You know the kind. It is the first thing torn down on every home improvement show. All of the spaces I inhabited as a child felt so big, filled with different textures and fabrics from the leafy forest patterns of our living room cushions to the sticky, red faux leather of my family’s car seats. What did your world look like? What were you absorbing and learning as a child? Minari (pronounced MEE-NAH-REE) is a recent film that may just have you revisiting your own childhood and evaluating your own family.

The movie depicts an experience that is, as star Steven Yeun puts it, “deeply American.” Yet, it might not be the American experience you know. Through the eyes of David, the youngest child of a Korean American family in the 1980’s, we see a snapshot of their experience trying to carve out a piece of America they will call their own. The story comes partially from the memory of director Lee Isaac Chung, whose own family immigrated to America and settled in California before relocating to the middle-of-nowhere Arkansas. In Arkansas, David’s father, Jacob procures a larger piece of land then they could have ever had in California. Jacob’s desire is to eventually leave his current job of gendering baby chicks and grow a commercial farm on his new plot in Razorback country.

The cast of Minari

Prior to 1965, the US was limiting the percentage of immigrants that could reside in the country. Once the Immigration and Nationality Act of 1965 lifted those restrictions, there was an incredible rise in Koreans moving to America. From 1970 to 1980 that Korean population in America rose from 39,000 to 290,000. David’s family was a part of this wave, but this isn’t the story of them moving to America. As we see Jacob and his wife Monica interact, it’s obvious that this family has been working and trying to forge their path in their new country for a while. There’s tension, exhaustion, and unbalanced expectations.

Monica was comfortable in California. She thought they had decent jobs and a community that helped them feel like they were a little closer to home. For her, Arkansas feels so much farther away from everything. There is a lack of security in the couple’s relationship in the film and that particularly puts pressure on Monica to combat her husband’s lofty dreams. These dreams, though, also carry an extra weight for Jacob. Tied into his tomato plants and irrigation wells is his entire masculinity. With these parcels of land, Jacob is gambling with his manhood, his reputation as a father and provider. He has to prove that he can do this on his own. Jacob is determined to do it without the help of neighbors, friends, family, other farmers, or God.

Steven Yeun in Minari

It would be hard for David’s family to avoid faith. The Korean Presbyterian Church was a staple in Korean American communities. In the film, it is one of the first things on Monica’s mind. She clearly has found security in the church before. However, church in rural Arkansas is very different from what they’re used to. This is best expressed through Jacob’s somewhat one-sided partnership with Paul, a local laborer who wants to help Jacob succeed, and just be Jacob’s friend. Throughout the film we see Paul praying in tongues, anointing things with oil, casting out demons Jacob doesn’t see, and bearing his own literal cross every Sunday. In many ways, the church service they do attend in Arkansas feels like the most unfamiliar place they’ve been yet.

Really David’s family is trying to figure America out. What is good about this place? What is familiar? Where can they thrive? How can they survive? It is that daily grind that pulls you in. Minari is a wonderful film. Chung’s story is filled with innocence and complexity. We are trying to make sense of everything right along with David. Most perplexing to him is his maternal grandmother who curses, plays cards, and does many things different from the picture America has given David of what a grandma should be. He also doesn’t understand why he would drink a potent Korean tea over delicious Mountain Dew. The audience is guided through this drama by probably the best performances I’ve seen all year. From tiny new-comer Alan S. Kim to Remember the Titans’ Will Patton, this cast has so much to offer. Yeri Han, who plays Monica in the film can make you cry as she feels so stranded and not at “home” and then tear your heart completely out as she throws verbal and non-verbal daggers of disappointment at Jacob. You really do feel this family’s struggle as the story progresses.

The film’s title comes from a plant often used in Asian cooking. At one point, David is dragged by his grandma into a damp creek bed to plant some. It is said that minari grows wherever it is planted. It is a resilient herb that can thrive in shade or sun as long as it has water. It grows fast and is a cut-and-come-again plant that just keeps coming back. What makes David’s family keep going? There are moments in the movie that feel like things will never recover. Chung’s real-life family persisted, and so many immigrant families before and after his have as well. America is supposed to be fertile soil, but sometimes the ground is hard and dry. Thankfully, the roots of hope, faith, and family can often grow in harsh conditions.

Young Alan S. Kim in his film debut

Great British Bake Off Fantasy League – Week 10 Finale

This. Is. It! The grand finale of this season of Great British Bake Off has happened. Who will take home the cake stand? Who will spend a minute with their head in the freezer? Have the bakers figured out how to make a crescent shape? We’ll find out! Plus! Heather is going to share a super easy recipe for anyone looking for a fun baked good that starts with a store bought ingredient you may not expect!

Cake Mix Snickerdoodles

1 box yellow cake mix

2 medium eggs

1/4 cup oil

3 tbsp granulated sugar

1 tbsp cinnamon

Preheat oven to 350 degrees. Thoroughly combine the cake mix with the eggs and oil. If you only have large eggs on hand, use 1 whole egg and 1 egg yolk. Batter will form a soft dough that is firm enough to be handled. Roll into golf-ball size for regular cookies (12 per cookie sheet), double the amount of dough for jumbo cookies (8 per cookie sheet). Roll balls of dough in cinnamon and sugar until well coated. Space evenly on cookie sheet and flatten with the bottom of a wide glass into rounds, about 1/3 inch thick. Bake for 8 minutes until cookies have risen and are crinkly and bottoms are golden brown. When cooled, store in airtight container with a piece of bread on a napkin of paper towel to maintain soft texture.

Great British Bake Off Fantasy League – Week 9

Tragedy strikes as one of our host’s team is unexpectedly taken out of the competition! Who will make the finale? Join us as we recap the penultimate episode! Plus, Heather shares her EPIC Peanut Butter Fudge recipe!

Peanut Butter Fudge

1 stick unsalted better

1 12oz can evaporated milk

1 cup brown sugar

4 cups white sugar

1 tsp salt

2 tsp vanilla

1 7oz can marshmallow creme

1 16oz jar creamy peanut butter

Grease a 9×13 pan. Melt butter over medium heat in large saucepan, stir in milk and sugars. Bring to a boil stirring frequently. When mixture reaches a rolling boil reduce heat to low and boil without stirring for 7 minutes. While mixture is boiling, prepare other ingredients because at the end of the 7 minutes you will have to move quickly. When the time is up, remove from heat and immediately stir in vanilla and salt. Next add marshmallow creme and whisk until thoroughly combined. Continuing to move quickly, whisk in the jar of peanut butter until completely incorporated. Transfer immediately to 9×13 pan. Allow to cool completely before cutting into squares. Cover in plastic wrap or in ziplock bags or airtight containers to preserve soft texture. Fudge can be stored at room temperature for multiple weeks or frozen for multiple months.

Alternate flavors:

Chocolate Fudge – substitute peanut butter with 1 1/2 bags chocolate chips of choice, about 3 cups. Increase salt to 1 1/2 tsp. All other instructions/ingredients remain the same

Nutella Fudge – substitute peanut butter with 1 jar of Nutella hazelnut spread. Increase salt to 1 1/2 tsp. All other instructions/ingredients remain the same

White Chocolate Peppermint – substitute peanut butter with 1 1/2 bags white chocolate chips, about 3 cups. Increase salt to 1 1/2 tsp and substitute vanilla with 1 tbsp peppermint extract. Top with crushed candy cane while fudge is still warm. All other instructions/ingredients remain the same

Great British Bake Off Fantasy League – Week 8

What a day for Team Ivan while Team Heather was left to sweat it out as golden boy Peter struggled in the tent for once! Meanwhile, the bakers were challenged with one of the weirdest Technical Challenges ever and made some truly stunning Showstoppers. Plus, Heather helps you use up all that leftover Halloween candy in Candy Bar Cookie Bars!

Candy Bar Cookie Bars

2 sticks – unsalted butter, softened

2 cups – brown sugar

2 – eggs

2 tsp – vanilla extract

1 tsp – baking soda

2 tsp – water

1 1/2 tsp – salt

3 cups – all purpose flour

2 cups – chopped mini candy bars (Snickers, Milky Way, Twix, Reese Cups, etc)

Beat butter and sugar until fluffy. Beat in eggs one at a time, add vanilla. Dissolve baking soda in the water and combine into butter mixture. Mix in flour and salt until just combined, stir in chopped candy bars of your choice/combination. Spread batter evenly in a greased 9×13 pan. Bake at 350 degrees for 18-20 minutes until edges are firm and brown and center is lightly golden brown. Allow to cool completely before cutting.

Great British Bake Off Fantasy League – Week 7

Let’s go back in time to the 1980’s…sort of. It’s “80’s Week” on GBBO and that means lots of random references even we didn’t get as well as some questionably 80’s baking challenges! Heather has some growing disdain for Dave and everyone is sweating their ganache off! Plus, Heather shares a very calming Lavender Lemon Shortbread cookie recipe!

Lavender Lemon Shortbread Cookie

2 sticks – unsalted butter, softened

1/2 cup – brown sugar

2 1/4 cups – all purpose flour

1 tsp – salt

1 tsp – finely chopped French lavender

2 tsp – lemon zest

2 tsp – lemon juice

Beat butter and sugar together until fluffy. Mix in salt, lavender, and lemon zest and juice. Combine in flour until it forms a soft dough. Divide into two halves, roll each half into roughly a 6 inch roll. Slice until 12 cookies, each about 1/2 inch thick. Spread evenly on a cookie sheet and poke two rows of holes with a fork in the center. Bake at 325 for 17-18 minutes until golden brown on the edges. Store in an airtight container. Recipe can be doubled for 4 dozen cookies.